BORN TO PERFORM presents SHINE! 2019
Born To Perform founders Gemma and Matthew Marinus recently took some time out from their hectic schedules to chat to me about this year’s exciting, upcoming production, SHINE! MC for the show, popular rising star, Zinah, also joined us.
Born to Perform was born out of the Stageworx school for performing arts. Stageworx is a space where Gemma encourages authenticity at all times. All who attend are taught the importance of respecting themselves, each other and the world around them. She acknowledges though, that today’s kids struggle to communicate directly because of social media. Stageworx uses the arts to guide them in understanding who they are, what they are and where they position themselves in the world as human beings.
Matthew adds that with the kids who study song-writing (these are the ones he predominantly works with), he’s found that there’s a need for them to understand who they are without the ‘outside noise’ of everyone’s opinions.
One of the fundamental principles of Stageworx is to celebrate all people and their successes. There are many doors and many opportunities, and it’s essential for these kids to understand this process and applaud others when a particular opportunity wasn’t theirs.
Gemma firmly believes that it’s their job as teachers and mentors to continually ask how they can handle situations better with young people if you feel you may have handled a difficult situation poorly. Even in conflict, she always tries to give them a learning situation, asking them to “Express how you were feeling …” She feels that if you allow the kids to analyse themselves, they learn how to approach various life situations and by doing so, she’s creating better humans.
I asked Gemma if she’d ever open up another branch of Stageworx? She replies that it’s not on the cards. “Stageworx is a personal experience, which is why there’s only one school.” For her, it’s not about the numbers. It’s about the quality of the experience and the time she gives to the kids. She wouldn’t be able to give her all, like she’s doing now if she had to split herself between more than one school.
She tells me that when she was a teenager, she grabbed every single opportunity to perform. “It takes years of practice to be an overnight success! You need to be ready!” All that experience accumulated, and when the time was right, it all came together. “You need to eat, sleep, breathe the industry and want it enough to do the work!” This is the message that she imparts to every single young person who dreams of a future in any of the performing arts fields.
That passion really goes into Stageworx a full 100% and I couldn’t imagine it being diluted in any way by Gemma opening up somewhere else and trying to replicate it, or relying on someone else to do it for her!
Zinah tells us that she was bullied at school. She always thought that she was a bad person because of this. But she’s come to learn that your own experience can be a learning experience for someone else. She (quite rightly) feels that we’re always so fixated on trying to change people, as opposed to just understanding them. Kids and teens tend to live in their own self-absorbed bubble and aren’t aware that others are going through the same stuff.
Coming out of Women’s Month and a heightened awareness of the horrific increase in crimes against women and children, I had to ask Zinah about her latest music video for her newly released single, ‘Ever Been’. The song is stunning and the video itself is visually slick and stylish, but I was interested to know why Zinah had willingly portrayed herself in such an openly provocative manner. Although she’s clearly absolutely gorgeous, it concerned me that it would send young girls (and men) the wrong message.
Her response is one that all of those who see the video need to hear: Zinah told us that since appearing in last year’s show, she’s had a big shift in how she conducts herself with people. As a product of Stageworx, she had the privilege of seeing that it was run by a strong woman who taught her how to work as a woman in this industry. After years of feeling inhibited and unworthy, she’s now finally comfortable in her own skin and is proud of who she is. She strongly believes that women shouldn’t be objectified, and is ready to own who she is!
Zinah also spoke about being able to work with people she was completely comfortable with and spoke so highly of Matthew and the way in which he guided her every step of the way, ensuring that she was happy with the creative process.
And then she drops a bombshell! She tells us that one of the other reasons she was ready to do a music video like this, ready to own how she looks and put herself out there, showing how truly beautiful she is, was because she was sexually abused when she was seven years old! I think that to say we were all stunned would be an understatement! We were even more shocked to learn that she only told her parents about this three weeks before our meet-up!
Zinah went on to say that it was a huge transition to move from expecting to be disrespected to knowing that you deserve respect because you’re now comfortable in your own skin; knowing that you’ve forgiven that person and have been able to move on. She tells us that it’s healing for herself. She knows she deserves love and deserves NOT to be objectified.
If she can be someone who speaks for positivity and strength on women’s ability to say NO, then she wants to be that person. She quotes Gemma, who often says, “Kindness is key.”
Gemma reminds us that people can be extremely unforgiving when they don’t even know the full story – all they see is a picture of a video.
She says that we’re lucky to live in the world we’re in as women, compared to where we’ve come from with many more women being in high-end corporate positions than there were 10 or 20 years ago. She tells me that her Born To Perform vision -from when they staged their first shown in 2015 – was always to perform on the Teatro stage! And that’s exactly where they’ll be next weekend for just 4 shows from 13 – 15 September. And they’ve had nothing buy support from the ‘powers that be’ at Montecasino.
She goes on to speak in glowing terms about her ‘mentor and voice of reason’, Bryan Schimmel, her producer and creative partner. Although he was overseas with the international tour of ‘Chicago’ for much of the run-up to SHINE! they’ve spoken every single day and he has still been as involved as he would have been, had he been right here! He’s also been Zinah’s mentor since last year.
What can people expect from this year’s production of SHINE!!? A showcase of amazing young talent! 450 spectacular young performers on stage, together with celebrity appearances by The Voice SA Season 2 winner, Craig Lucas and The Voice SA finalist Thembeka Mnguni and a special appearance from The Voice SA Season 3 Finalist, Yahto Kraft.
There will also be moving performances from Buddy Sacks and St Vincents School of the Deaf, and performers from Fourways High School, Mondeor High School, Curro Aurora – Sundowner and New Generation Pantsula Dancers from Alexandra.
SHINE! 2019 is on stage for FOUR SHOWS ONLY at The Teatro at Montecasino:
Friday 13 September at 20h00
Saturday 14 September at 15h00 & 20h00
Sunday 15 September at 15h00.
Tickets range from R180 – R320 and can be booked online at www.montecasino.co.za or through Computicket.
Various Public Group Bookings and Tsogo Sun Rewards Discounts are available through Computicket.
Group School Bookings are available on request by emailing email@example.com .
Upon confirmation, Group School Bookings of 20 seats and more will receive the added benefit of a SHINE! Workshop delivered by Born To Perform, at their school.
** A special performance made accessible for the deaf community will be taking place on Saturday 14th September at the 15h00 performance, with an on-stage signer.
At this performance, audiences have access to the Opticon system for the hearing impaired. This facility is only available in specific seats within The Teatro, so bookings would need to be made directly with the Teatro Box Office on 011 510 7472. **
Watch the advert for SHINE! 2019: https://youtu.be/RhiF_Jb0WQQ
Follow Born to Perform on Social Media (where you can also catch lots of rehearsal clips!):
Instagram : borntoperform.world
Face Book: https://www.facebook.com/Borntoperformgala
YouTube: Born To Perform TV
DIRECT FROM NEW YORK AND FOR THE FIRST TIME IN SOUTH AFRICA!
An all-male comedy ballet danced by 16 prima dancers from 7 countries around the world.
We’re just 10 days away from the arrival of Les Ballet Eloelle’s MEN IN TUTUS – on stage at The Teatro at Montecasino for 4 shows only from Friday 12th – Sunday 14th April!
Humour in classical ballet is hard to find, and this is one reason for the enduring popularity of this fabulous troupe of male ballerinas. Direct from New York, Les Ballets Eloelle’s latest international production Men In Tutus is the most spectacular, talented and hilarious all-male comedy ballet ever!
The internationaly company has dancers from Argentina, Colombia, Mexico, United States, United Kingdom, Australia, Spain, Japan and The Philippines for this tour.
Men In Tutus will open at the Teatro, Montecasino, on Friday 12 April and will run for four performances only, until it moves to Cape Town, the Artscape Opera House from 18 to 21 April 2019.
Enjoy a taste of what to expect by watching this video advert: https://youtu.be/Y0NK_t3hFcE
Classical ballet likes to take itself seriously, which may explain why you don’t get many comedies on the ballet stage. Yet those of us who love tutus and tiaras also like nothing better than to laugh with the hairy man-ballerinas!
Artistic Director (and also a principal dancer in the show), Victor Trevino states;
“Our mission is to help bring new audiences to dance through comedy. We are essentially sharing the love of an artform with as broad of an audience as possible. Our hope is that audiences that come to our show who have never been to a ballet will consider seeing traditional (serious) dance. There is this mystique that dance is too difficult to understand and is only for audiences who have a deep knowledge of culture and art. We hope to change that misconception using comedy as a means to expose audiences to the magic of dance.
Those who love ballet will certainly see the choreography and skill of the dancers that’s expected in a traditional ballet.”
Trevino continues; This is a family friendly show. If you have never been to the ballet come out and join us, you will have a great time. If you have seen ballet, don’t miss this! You will have a deep appreciation for what you see and will have a great laugh at the same time. Also, we will be doing selfies after the show! We want to meet our audiences.”
Men In Tutus will feature the following:
Pas de Quatre
Pas de Deux, Le Corsaire
A parody of George Balanchine’s choreography, Go for Barocco
From the thrilling pirouettes of the male dancers (in male and female costumes) with brilliant choreography to the side-splitting humour, all presented in specifically-designed lavish costumes, Victor Trevino’s Men In Tutus is a show designed for the whole family!
Tickets for the Johannesburg season range from R200 – R400 and Bookings are through Computicket.
Men In Tutu Performances: at The Teatro, Montecasino
Friday 12 April at 20h00
Saturday 13 April at 15h00 and 20h00
Sunday 14 April at 15h00
Follow Les Ballets Eloelle on Social Media:
Facebook : https://www.facebook.com/MenInPinkTights/
Instagram : balleteloelle
Twitter : @balletEloelle
Follow Ticket to the Moon Management on Social Media:
Facebook : https://www.facebook.com/thetickettothemoon/
Instagram : tickettothemoon6
Bookings are now open for the 2019 season of National Theatre Live, when two gripping political dramas performed at leading UK theatres will screen at Cinema Nouveau: Shakespeare’s The Tragedy of Richard the Second, followed by David Hare’s I’m Not Running.
The Tragedy of King Richard the Second stars Olivier Award-winner Simon Russell Beale as Richard II, the vain, foolish King of England whose weak leadership sends his kingdom into disarray and his court into uproar. Catch this critically acclaimed production from London’s Almeida Theatre at Cinema Nouveau theatres nationwide, and Gateway Commercial in Durban on the 23rd February.
Next up, contemporary political dramatist David Hare’s new play, I’m Not Running stars Siân Brooke as Pauline Gibson, the leader of a local health campaign who is faced with an agonising decision when she crosses paths with her old boyfriend, a stalwart loyalist in Labour Party politics. I’m Not Running is performed at London’s National Theatre and will screen at Cinema Nouveau nationwide and Gateway Commercial Durban on 16 March 2019.
For booking information visit www.sterkinekor.com and the Ster-Kinekor App. Follow us on Twitter @nouveaubuzz and on Facebook at Cinema Nouveau. For queries, contact Ticketline on 0861 Movies (668 437).
Naledi Theatre Awards Re-imagined for 2019
Now entering its 15th year, the Naledi Theatre Awards is the biggest and most prestigious Awards entity to recognise and reward excellence in SA Theatre.
With a new Board of Directors and an influx of almost 50 young, burgeoning and brilliant new judges, plus a new home for the Awards event, the 1000 seat Joburg Theatre in Braamfontein, the Naledi team has been hard at work throughout the holiday season re-imagining and re-structuring its modus operandi. Here are some snippets from the Board and Executive:
Chairperson, Kgomotso Christopher. “We all share the same passion for the transformation of our country’s performing Arts landscape. Not only is it imperative to transform our industry but we also strive to recognise and celebrate the world class talent evident right here in South Africa.
Deputy Chairperson, Sello Maake ka Ncube: “New voices emerge every month telling our unique SA stories with energy and vision never seen on our stages hitherto”. I am particularly committed to mentoring new practioners of tomorrow.
Chairman of the Judging panel, Award winning actor, writer, radio presenter and drama teacher, Renos Spanoudes: “the Naledi Awards holds a mirror to what is happening in our multi-layered and multi-faceted society and reflects the best of writers, choreographers, sets, lighting and sound technicians, as well as fearless and inspired directors guiding performers out of their comfort zones to excite and stimulate audiences from all walks of life!”
Founder of Naledi and CEO, Dawn Lindberg, gave an overview of the re-structuring of the panel of judges:
“ over 100 professional shows are produced and staged throughout Gauteng each year. In recognition of an ever growing theatre industry, and our commitment to keep up with this growth, we are expanding our panels and demographics of the judges to ensure we see and adjudicate as much work as possible, produced in any given year. We have therefore created 6 new panels of judges specialising in each of the following genres. The panels are:
Plays, produced in Main Stream established Theatres; convenor: Neka da Costa
Musicals, also staged in Main Stream Theatres; convenor: Dr Lance Maron
Theatre for children and young audiences: age 0-13 as well as Theatre for that middle group of Young Teens, age 14-17, often left to fall through the cracks between kiddie theatre and theatre for adults, and sometimes including set works. This section is proudly supported by ASSITEJSA, an international organisation specially created to encourage young people to experience and enjoy theatre. They are the audiences of the future! Convenor: Thea Gafin
New, but we think vitally important new genres to cover are the highly creative and innovative: Dance and Physical Theatre, convenor: Ignatius (Iggy) van Heerden;
Independent/Fringe Theatre: specifically created to capture and assess smaller works by burgeoning, powerful young voices in venues such as PopArt in Maboneng, Olive Tree in Alex, the Table, and smaller venues at the Soweto Theatre complex, UJ and many others! Convenor: Khutjo Green
Tertiary Student/Incubator productions: for non professional artists who are committed to a career in the performing arts by attending Training Institutions such as Market Theatre Lab, Wits drama dept., Oakfields, State Theatre Incubator projects, and more. Convenor: Tiffany Higgo
Executive Director and Legal, Lihan Pretorius: “judges for each panel have been carefully selected, maintaining a good mix of age, genders and cultures. Each panel is led by a convenor and we will facilitate a special one day workshop for the Convenors of each panel, to explain and clarify any grey areas as well as creating liaison links with Theatre producers. Judges will be allocated 2 x tickets per performance, one of which they are encouraged to use to invite and mentor one of the new judges entering this arduous and committed role for the first time this year.
Deputy Chairman and Arts Activist, Maishe Maponya: Due to the fact that our Industry is relatively small, many of the judges are also practitioners. However, we do not see this as a contentious issue at all, as any judge associated with any production or performer will recuse themselves from debate or voting when that production or performer is assessed.
Board Member, Mbongeni Ngema: I feel very excited and humbled to be part of this passionate and dedicated team, who are totally committed to serving our fragile but immensely important performing Arts Industry in SA. I am fairly new on the board, but have attended many of the Awards Events, which are as good as any Tony’s or Oliviers elsewhere in the world!
Dr John Kani has been the Patron of Naledi for 13 years, and is the recipient of the World Impact Award for 2019 for his outstanding work on Black Panther, Lion King and “Kunene and the Kings” starring Anthony Sher, to be produced by the RSC and the Fugard theatre in Cape Town in April:
“our biggest challenge remains that of insufficient funding from Government sources, DAC (Mzansi Golden Economy), NAC (National Arts Council) and the NLDTF (Lotto), all of whom applaud the work done by Naledi to raise the profile of SA Theatre, and enhance the careers of nominees and winners, but don’t contribute in a meaningful way to help sustain the Awards.
The Executive Directors of Naledi and I will be meeting with stake holders in our Industry as well as top companies and banks to urge them to assist in making Naledi sustainable.
Hemant Vanmali, Finance and Audit, says: “Naledi is now registered as a Section 18A NPC (not for gain), which means that any major sponsorship is fully tax deductable.
We also have a 90 minute special broadcast on KykNet and Mzanzi Magic with features on all magazine programmes on SABC and M-Net so the brand exposure for sponsors is huge.
Des Lindberg, Technical director of Naledi and past Chairman of TMSA (Theatre Managements of SA) for 22 years, has the last word: “Naledi would not be possible without the immensely valuable sponsorship in kind we receive (in the past from the Lyric Theatre and Tsogo Sun, last year from the Teatro at Montecasion) and this year and for the next 3 years, the magnificent Joburg Theatre, centrally placed in Braamfontein with plenty of secure parking!
Heartfelt thanks to CEO Xoliswa Ngema, COO, Bridget Mashika, and their entire team!
Huge salaams to Alistair Kilby of Splitbeam technical, who sponsor all our state of the Art sound and lighting equipment and many more “electronic toys” to enable the Awards staging to look like a multi million dollar production! Other in kind support has come from Duncan Riley of DWR distribution, Distell for wine, Stately Design for assistance in re-branding of the web site, and sponsorship proposal, and every single human involved in Naledi with time, talent and love”…..
SAVE THESE DATES:
Nominations Reveal: Tuesday 12 March 2019 @ the Fringe Theatre @ the Joburg Theatre Complex
The 2019 NALEDI THEATRE AWARDS EVENT for productions staged during 2018: Monday 20 May 2019 on the Mandela Stage @ the Joburg Theatre
Via: CHRIS AVANT-SMITH: Straight2media@gmail.com
AUNTIE MERLE’S FIRST VISIT TO JOZI!
Popular comedian, Marc Lottering’s most beloved alter ego, Aunty Merle Abrahams sashays onto the stage for the first time in Johannesburg with Aunty Merle, The Musical from 1 February until 3 March 2019 on The Mandela Stage at Joburg Theatre.
Written by comedian, Marc Lottering and directed by Lara Foot, the show has received four Fleur du Cap nominations and has already enjoyed two sell-out seasons in Cape Town to rave reviews.
“a musical with an international punch, a debut production that astonishes with its assuredness.” – Karen Rutter, WeekendSpecial
“…witty one-liners that are met with sassy comebacks.” – Kirsten Delcie, What’s On In Cape Town
High drama unfolds in Belgravia Road, Athlone, as Merle’s daughter, Abigail, announces her engagement to her boyfriend, Alan. As Merle puts it: “He’s a good looking white chap!” But it’s never smooth-sailing in the world of musicals when Abigail’s twisted and corrupt ex, Denver Paulse – who holds a dodgy top job with the SABC – is determined to get her back – and if not, threatens to reveal a very dark secret which is bound to tear the lovers apart.
Aunty Merle, The Musical boasts a talented South African cast including Marc Lottering as Aunty Merle, Tracey-Lee Oliver as Abigail, Paul du Toit as Alan, Loukmaan Adams as Denver Paulse, with a stellar support cast including Royston Stoffels, Tankiso Mamabolo, Gina Shmukler, Adrian Galley, Carmen Maarman, Zandile Madliwa, Sizwesandile Mnisi, Anzio September, Crystal Finck and Austin Rose – accompanied by a live 8-piece band.
Twenty-two original songs, with lyrics by Marc Lottering and Tarryn Lamb; musical direction by Alistair Izobel and choreography by Grant Van Ster, have earned the cast thunderous standing ovations.
Aunty Merle – The Musical is suitable for all ages (no under 3’s). Tickets from R145 are available through Webtickets and Pick ‘n Pay outlets. Performances are Wednesdays to Saturdays at 8pm, with matinee shows on Saturdays and Sundays at 3pm. Visit www.joburgtheatre.com for more information.
Join in the conversation online with #MerleInJozi:
Facebook: @Marc-Lottering and @auntymerlethemusical
Isn’t it just ridiculous that in 2018, we adults have learned absolutely nothing … and that the more things change, the more they stay the same … and that the more progress we’ve made, the more backward we really are?!? Well, thank goodness for bright, bold, unapologetic children’s musical theatre! It says it like it is, without sugar coating or subtlety – kids just don’t buy into that nonsense.
Written by Melvin Tunstall III, composed by our very own SA boykie, Greg Borowsky together with Douglas Lyons, who also wrote the lyrics. The original idea of POLKADOTS was inspired by the Little Rock Nine who ended segregation in American schools in the late ’50’s. But before you start yawning, and wondering how on earth this relates to kids of today … sadly it does!
What’s it all about? Lily Polkadot (the gorgeously bubbly Gugu Dhlamini) has recently moved to the town of Rockaway and is apprehensive about her first day of school. She’s the only Polkadot in a school of Squares. And immediately she’s targeted by Mean Girl, Penelope Square (Kirsty Marillier, in fabulous, full-scale viciousness), purely because of the way she looks – she’s a ’round peg, in a square hole’ and isn’t wanted here! She’s misunderstood wherever she turns, and whatever she says (despite her determined optimism), and even confronted with a separate water fountain to drink from! All she needs is one friend so that she doesn’t feel alone. Surprisingly this comes in the form of Penelope’s shy brother Sky (wonderfully awkward and endearing Bonginkosi Jay Hlatshwayo), and also the sunny teacher Mrs Square (vivacious and highly accomplished
Andrea Shine – who also doubles up as Mama Square).
This small, but extremely skilled cast has no trouble keeping its audience enthralled, engaged and entertained and in just 55 colourful, vibrant minutes, our four main characters teach us all some fundamental life lessons!
There’s a very good reason why POLKADOTS recently won the Off Broadway Alliance Award for Best Family Show in New York. The entire show teaches us that what makes us different is what makes us awesome! Not one of us is the same, and why do we even want to be? But then why can’t we accept each other as we are – for after all, we’re all the same on the inside?
Kids of all ages will gain something from POLKADOTS, whether it’s just the fun element, the catchy songs that carry great messages, or the more in-depth meaning of the storyline. There’s really something for everyone here.
This is POLKADOTS’ first international production and it’s not surprising that it’s led by an award-winning local team. Making its debut at this year’s REDFEST, followed by a week of school holiday shows at Redhill, it’s produced by Joseph Gerassi for Redhill School, in association with producers Drew Bakker and Rowan Bakker for &CO, together with associate producer Matthew Counihan. Shelley Adriaanzen directs and choreographs, with musical supervisor by Rowan Bakker and production design by Sarah Roberts.
With its strong anti-bullying message, a tour schedule is in the pipeline. So keep a close eye on the POLKADOTS SA Facebook page for updates.
For info on shows this week, and to book, click here.
Don’t miss POLKADOTS. I can’t recommend it enough!
All cast photo credits: Ronel Hugo
ONE DAY ONLY … ONE STAGE … ALL STAR CAST … SA’S TOP PERFORMERS … JONATHAN ROXMOUTH … TIMOTHY MOLOI … BRYAN SCHIMMEL … ILSE KLINK … and many more!
“One of the most important things you can do on this earth is to let people know they are not alone.”
― Shannon L. Alder
The Sakellarides/ Devar family are an integral part of the theatre community. Theatre makers, supporters and the like are familiar with this talented unit, and those who have had the fortune of personally becoming a part of their lives, or even briefly interacting with them, all agree unanimously that this family are the warmest, kindest, most generous bunch of people, in an industry that is often extremely cruel.
Over the past few years, the family were faced with the misfortune of Nik Sakellarides falling very ill and ending up in intensive care on two lengthy, different occasions.
This was a very dark time for Brenda Sakellarides who managed to pull through, and with Nik’s strong recovery finally saw the light of day, despite the emotional and financial strain.
But just when life started normalising, another devastating bit of news came to the fore: their 16 year old son Ziya Devar was diagnosed with aggressive Ulcerative Colitis.
Ulcerative Colitis is an inflammatory bowel disease that causes long-lasting inflammation and ulcers in your digestive tract. It affects the innermost lining of your large intestine (colon) and rectum. It can be debilitating, sometimes leading to life-threatening complications. While it has no known cure, treatment can greatly reduce signs and symptoms of the disease, even bringing about long-term remission.
About two and a half months ago, Nik took to Facebook, asking the Theatre/ Entertainment Community and beyond to please assist Brenda and the family with any donations they could contribute towards the increasingly exhorbitant medical costs for Ziya’s recovery.
This sparked Owen Lonzar’s idea to produce a show with some of the biggest names in the theatre industry, to raise money so that young Ziya and his family can fight this illness without worrying about the financial burden placed on them.
Lonzar explains: “There are genuinely very few good people in the world, who are always willing to help others. Brenda and Nik are always willing to help others. They are very special people, so I thought I need to do this. It’s also great because the community are involved. We don’t always have the money to give in this industry, so at least if these artists can perform, other people can buy tickets. It’s also important to be actively involved. We have a small community and we need to be able to look after each other, and this is one way that we can.”
Caitlin Clerk came on board to assist with administrative detail, and a wonderful night of music, musical theatre, talent and of course, community and giving has been organised to entertain audiences, but more importantly to raise money for Ziya’s recovery.
Silver Linings Songbook takes place on Sunday, 24 June 2018 at the Auto & General Theatre on the Square at 18h30. As this show sold out so quickly, an additional matinee has been added at 15h30!
Tickets cost just R200 each!
Never again and nowhere else will you get the opportunity to see such a fabulous lineup of South Africa’s top theatre talent performing on one stage, for a bargain price like this!
Can’t make it but still want to participate? Call the theatre on (011) 883-8606 and ask for a ‘ghost ticket’ … they’ll know what you’re talking about!
Bookings through computicket.com or call (011) 883-8606. If you can, try and go to to a Computicket kiosk and pay cash – they’ve been tremendously awesome and waivered their fee for the show if you do this!!!
Not only will you be helping others in need, but the line up of performers boasts some of the best talent in the country. This includes Jonathan Roxmouth, Timothy Moloi, Angela Killian, Sylvaine Strike, Ilse Klink, Bryan Schimmel (piano solo), Itu Sings, Kiruna – Lind Devar, Noni Mkhonto, Judy Ditchfield, Dolly Louw, Andrea Shine, Natasha van der Merwe, Caitlin Clerk, Nqobile Sipamla, Tonya Koenderman, Hayley Christian Francis, Luciano Zuppa, Dennis East, Claire Taylor and Toni Morkel.
Special Appearance from Kate Monster (aka Ashleigh Harvey) from Avenue Q, and Malcolm Terrey will be MCing the event.
A huge thank you to Daphne Kuhn for the use of the Auto & General Theatre on the Square, and to all the artists and crew involved in the giving of their time for such an important cause.
Book now for Silver Linings Songbook on Sunday, 24 June 2018 at the Auto & General Theatre on the Square.