The minute that invitation to the annual year-end pantomime hits your Inbox, your heart gives a little thump of joy … and not just because it signifies that the holidays are around the corner!
This is Janice Honeyman’s 30th pantomime, which is an achievement in itself. The fact that she continues to get it right, drawing in audiences, surprising and delighting the crowds every year, is a testament to her sheer talent and skill. She has a gift of knowing the perfect recipe to thrill her audiences, and Pinocchio, her offering this year is certainly no different. There’s just the right balance of innuendo, political lampooning and catchy tunes (both new and old) to hold the attention of all ages throughout the show. This combines with some truly eye-popping, phenomenal sets and an energetic cast who are all clearly fully immersed in the magical world they’re responsible for creating.
I’m positive that part of Janice’s ongoing ability to succeed at exciting her panto audiences year in and year out, is her own inclusive participation in the process. She’s not merely a writer and director who sits back and watches things happen statically as she’s penned it. When I interviewed some of the cast members during the rehearsal process, the common thread they all spoke about was Janice’s method of character development: allowing each actor to make the role their own and not merely something she’d put down on paper.
Returning to the age-old panto tradition of females taking on male lead roles, Pinocchio, the little wooden puppet who yearns to be a ‘real boy’, is played by Kanyi Nokwe who gives a stellar performance. Her endearing wonderment at the world around her/him is delightful, as is her excellent portrayal of a puppet, unable to move as fluidly as her human counterparts.
The much-loved Tobie Cronje returns to the panto stage as the bumbling Geppetto, who’s always longed for a son. He’s pursued by the hilarious Dame Arletti Spaghetti, played with uproarious aplomb by Grant Towers, in bright, brash, full-on technicolour! She happens to conveniently have a son available, the lazy Lampwick played with appropriate ‘too cool for school’ laid back, nonchalance by Ben Kgosimore. For some reason though, he’s not quite what Gepetto’s looking for in an offspring!
Mark Tatham bounces around the stage with boundless (actually, seemingly endless) vim and verve as a rather whimsical Jiminy Cricket, instructed by Bella Bouboulina, The Blues Fairy (you read that right – she’s a ‘Blues’ fairy with Southern flair) to be Pinocchio’s conscience. Ilse Klink, seasoned professional of SA stage and screen gives the role her own sprinkling of sparkling pizazz: she’s classy, funny, playful and just the right amount of bossy when she needs to be!
And panto always needs its villains doesn’t it? This year, we have André Schwartz as Il Fortunato the Fox who, although not quite as evil as his previous panto counterparts, is quite happy to ham it up as a foxy Phantom of the Opera – it’s inspired and the audience adored it! He’s accompanied by the brilliant Chi Mhende as Pussy Galore. Her claws are permanently out, and she’s wicked enough for the both of them!
The lighting and special effects are spectacular, all complemented by a tight, dynamic ensemble, complete with fresh-faced youngsters from Born to Perform (Stageworx School of Performing Arts).
Being panto, one does tend to slightly lose sight of the theme of the original story being told as it usually gets diluted in the inevitable tweaking of the plot. The actual background of Pinocchio is particularly pertinent to this time of year. It’s all about family values, listening to your conscience and doing the right thing despite all the pressure that’s thrown at you from all sides – and in this day and age it does seem that this happens literally from the day you’re born, as happens to Pinocchio, who candidly proclaims “I’m only one day old!” He still needs to muddle through the ups and downs of the challenges he’s faced with, as one does in life, learning who he can and can’t trust along the way, and having a whole bunch of entertaining and hair-raising adventures while doing so. And we, the audience, are lucky enough to join him on the journey.
Pinocchio, The Ultimate Pantomime Adventure is currently on the Mandela Stage of the Joburg Theatre until December 30th 2017.
To purchase tickets, visit www.joburgtheatre.com or call 0861 670 670. Tickets can also be purchased in person at the Joburg Theatre box office or by booking and paying via the Nedbank app and at selected Pick n Pay stores.
It’s preview week for Panto 2017! Janice Honeyman’s 30th Pantomime, Pinocchio officially opens over the weekend but this coming week sees the first audiences filling the Joburg Theatre to see what this year’s festive season pantomime has in store. Mostly these previews will be made up of schoolchildren, some of whom have never even set foot inside a theatre before, so this experience will be brand new for them.
Audiences will be thrilled to see favourites like Tobie Cronje (a firm panto favourite), André Schwartz and Garth Collins (Granite of TV’s Gladiators fame) in the cast. But this is will also be a brand new experience for the 3 Panto stars that I chatted to recently, who I christened my ‘Panto Virgins’. Although they’re each highly skilled industry professionals with years of experience under their belts, they’ve never participated in a Janice Honeyman pantomime before so for all of them, this has all been very new and different.
Ilse Klink is no stranger to South African followers of stage and TV, one of her most notable roles being in Isidingo, for which she received an Avanti award in 2000. She’s appeared in a number of TV series, and stage shows, far too numerous to mention, and she’s a much sought after performer due to her versatility and genuine warmth. In fact, Ilse had been about to accept a role in a different project, when the offer to play Bella Bouboulina, The Blue Fairy in Pinocchio, was extended to her! She explains, “I didn’t hesitate in choosing the panto role because of the sheer history of the Janice Honeyman Pantomime!” She had worked briefly with Janice back in 2006, and ever since then she’s wanted what she describes as ‘the full experience’.
For Grant Towers, this year’s Dame, this is a dream role. In his opinion, despite what many may think about open minds and progressive advances having been made, both within the theatre industry and universally, the LGBT (Lesbian, Gay, Bisexual, Transgender) community is still frowned upon. He laughs, “But every year, people still pay to come and see a man dressed up as the dame, and they all love her and want photo’s with her!” Yes, it’s theatrical irony at its sardonic best. Grant describes the dame this year as an ‘insane, menopausal, Italian woman’ and says that he intends to do that description justice!
And what would Pinocchio be without his alter ego, Jiminy Cricket? Mark Tatham takes on the high energy role of Pinocchio’s conscience, and tells me that he loves the combination of physicality and wisdom that his character manages to encompass. We’re lucky to have Mark with the panto cast as directly from here, he moves on to play Ed the Hyena in the touring company of The Lion King! It’s a 3-year stint where he’ll also understudy Timon and Zazu! An incredible opportunity for this amazingly talented and amiable actor.
So, as we’re chatting, the actors taking advantage of the brief break in their busy rehearsal schedule, one thing becomes distinctly apparent – the magic of the pantomime is safe and sound in the most capable and loving hands of one very unique, special person:
- Janice Honeyman is an extremely highly revered director, not only because of her obvious years of experience which give her gravitas in her field, but as Grant clarifies, “Janice is to be admired for her directness because she gives you a sense of accomplishment in yourself … and she’s not mean!”
- Mark goes on to say, “I love that Janice is so open to any suggestions that the cast offer.”
- Ilse concludes by adding, “You get permission to be a performer with panto, especially with Janice at the helm. Every year you drive past that billboard and you hope, ‘one day, one day’… and then, that call comes and it’s THAT day!”
The excitement that these three performers feel at their upcoming appearance is obvious! They talk about concepts such as vision, belief and putting your dreams out to the universe in order to manifest them into reality, and that’s surely something they’ve all put into practice. Don’t think they’re sitting back after completing their Panto sting. As we’ve already said, Mark’s off to join The Lion King. Grant will be appearing as Brian in Avenue Q from April, and Ilse has not 1, but 2 movies that she’ll be filming, the first on the Orange River from March, and then straight after that another one in Cape Town.
But for now, they can’t wait for that vibrancy that only interaction with a live audience can bring, especially when that audience is made up of such a high percentage of children, who truly allow the enchantment and delight of the onstage wonder to captivate them.
Do yourself a favour: regardless of your age, take a walk away from the ordinary, suspend belief just for a little while and immerse yourself in the fairy-tale world of the Pantomime this festive season!
It’s just a step away … the Blue Fairy, the Dame and Jiminy Cricket await.
Pinocchio opens on The Mandela stage of Joburg Theatre on November 12th and runs until December 30th.
Pinocchio is written and directed by Janice Honeyman, with musical direction by Coenraad Rall and choreography by Nicol Sheraton. Timothy Le Roux is resident director and Dale Scheepers is band leader. The pantomime is produced by Joburg Theatre and Bernard Jay, in association with MNet, Jacaranda FM and Your Family Magazine.
Tickets for Pinocchio are on sale from R185: telephone 0861 670 670, go online at www.joburgtheatre.com, or book in person at the Joburg Theatre box office. Patrons can also book and pay via the Nedbank app or walk-in at selected Pick ‘n Pay stores (a full list is available at www.webtickets.co.za/pnpoutlets.aspx) – or book on-line and then pay at any Pick ‘n Pay store.
Once again, it’s panto season, which means Christmas and the silly season are upon us … the most wonderful time of the year! And for the 29th time, Janice Honeyman presents us with her year-end pantomime. This year, it’s a brand new offering … Robin Hood and the Babes in the Wood. Partnering once again with producer Bernard Jay, this is a bit of a mash-up of stories, all merged together to create an absolutely delightful couple of hours where audiences can immerse themselves in sheer fantasy and fun!
Izak Davel (currently playing hunky Bradley Haines on our small screens in Isidingo) makes his panto debut as the well-meaning Robin Hood. He hangs out in the forest with his band of Merry Men (they’re ‘butch’!), and doesn’t seem to realise that pretty Maid Marian, played by the beautiful Carmen Pretorius (also Bradley’s love interest, Tiffany in Isidingo) is trying to catch his eye. She’s not too phased though, she’s far from a damsel in distress, until the evil Sheriff of Rottingham, errrm, sorry, Nottingham, decides to claim her as his latest conquest! Gasp! Renowned stage and screen actor, Graham Hopkins throws himself into the role with gusto … and hilarious results.
Meanwhile the Sheriff’s evil sister-in-law, played with true panto elegance and style by LJ Urbani, is plotting to do away with her down-trodden husband’s two kids, Tokkel and Tina (actually Hansel and Gretel, but this is Mzansi you know!). And while Robin Hood and crew are foraging the forest looking for people to rob (only rich people, so they can give to the poor, you understand, and no weapons allowed), they come across Much the Miller’s son, enthusiastically portrayed by Candida Mosoma, who so impresses the butch boys with his ability to defend himself (and his donkey) that they invite him to join their merry little band.
Keeping the storyline together is the marvellous Kate Normington as Silly Sylviana, the Spirit of the Forest. Amusing, clumsy, kind, caring and just a little bit bossy when she needs to be, Sylviana lets us know what’s what, who’s who, and pretty much makes sure that everything in her Forest is running according to plan. If that plan fails, she has a firm Plan B as part of a girl band with Pretorius and Mosoma – they’re a helluva of a team, and boy, can they belt out a tune!
This panto doesn’t let up for a minute, moving along at a cracking pace. It’s vibrant, it’s glitzy, it’s dynamic and it’s 100% on trend politically and musically, with a nod being given to most of the current fads doing the rounds – as one has come to expect. Honeyman and Jay once again prove they’re a formidable team and watching their cast being put through their paces only goes to show that they don’t make their choices lightly. Davel has all that’s required of a panto leading man: his almost effortless delivery, paired with a slightly quirky, comical manner, not to mention the voice and the moves to go with it all ensure he’ll be a hit as Robin. Desmond Dube, Phumi Mncayi and Bongi Mthombeni are all pure gold in their roles, elevating the level of humour here to something of an entirely superior nature.
The ensemble of this production is a troupe of seasoned performers, and it shows. They’re polished and peppy; smart and sassy. The energy flows easily, and one can’t help but get caught up in the rhythm of it all.
Mention must be made of Musical Director, Rowan Bakker – you’ll notice (because of course, you’re going to see the show) that there are a lot more musical numbers in this panto than in previous ones. So it goes without saying that the musical director had a hand in all the extra arrangements, and is a lot busier than he’d usually be! He’s done a sterling job. The band’s contribution to the superb nature of this show is unquestionable.
I also need to comment on the incredible sets and the absolutely magical use of lighting. The sets themselves are spectacular, but Graham McLusky has created pure enchantment in some of the scenes, which transport the audience into a true fairy-tale land. It’s quite captivating.
I highly recommend this year’s Pantomime. It’s first-rate entertainment and escapism. Book your tickets, go along and just lose yourself in it for a little while. That’s what it’s all about. They don’t call it magic for nothing!
PLEASE NOTE: All photo’s were taken during a rehearsal, and not during an actual performance. Please always be considerate to the cast and your fellow theatre-goers. DO NOT take photo’s, recordings or video’s during the show.
GETTING TO KNOW SOME OF THE CAST OF ROBIN HOOD AND THE BABES IN THE WOOD
Theatre is many things to many people: smoke and mirrors to some, a means of political and social rhetoric or commentary to others. But there’s no doubt that when it comes to Pantomime, it’s pure magic! There can be no doubt as to the intention of pantomime … it’s there to entertain the audience, whether young or old, and it needs to cater to a wide spectrum of fans. This is the 29th time that Janice Honeyman will be doing just that. She’s the unrivalled master at writing scripts that delight all who see her shows, incorporating just the right balance of slightly risqué fun for the adults, and good-natured humour for the kids. Together with Bernard Jay, this team has a sure-fire approach that ticks all the boxes for the ultimate in excellent entertainment.
And part of that approach is ensuring they have the right people for the job! This year’s pantomime is the all-new Robin Hood and the Babes in the Wood, a mash-up of the old Robin Hood tale (he stole from the rich to give to the poor … I’m sure our brains are all in overdrive as to how this is being applied to current SA news stats!), and the story of Hansel and Gretel coming to visit the evil witch … errrrm, their not-so-nice uncle, the Sheriff of Nottingham. And who better to play the dashing, daring, darling Robin Hood than Izak Davel, currently better known as arrogant Bradley Haines in Isidingo? Every hero needs a sidekick, and in this case there’s a group of merry men led by the jolly Little John – Phumi Mncayi.
I was interested to get to know the people behind the magic a little better, so I recently met with Izak and Phumi to find out who these guys really are, and what special sparkle they have that makes them perfect for their roles. I got a bit more than I bargained for as some extra laughs were thrown in by Desmond Dube (Friar Tuck), who was keen to join the action. I can honestly say I don’t remember the last time I spent such an enjoyable hour in the company of such down-to-earth authentic guys, who genuinely love what they do!
Izak tells me that he’s “just a laatjie who grew up in a dorpie in the Eastern Cape who just wants to enjoy life.” He’s happiest when he’s spending time with his wife, or walking his dogs. I’m openly incredulous, and beg him to tell me how on earth he landed up in the acting industry! Well, he initially wanted to be a rugby player, but due to damaged knees he took up ballet as a means to strengthen them. Realising his dreams of rugby-playing fame and fortune had been thwarted, he was thinking of becoming a physiotherapist or a biokineticist – you know, down to earth stuff! But he then went on to study musical theatre at TUT, and the universe, as they say, obviously had different plans for him!
His first theatre role was in 2004, in a Pieter Toerien production of ‘Joseph and the Amazing Technicolour Dreamcoat’. He’s already recorded one studio album, and will be back in-studio in January to begin recording his second, signed under SNP (Snyman Musiek Produksies). He strongly believes that in the industry, at this point in time, you most definitely need to be a triple threat (i.e. you need to be able to sing, dance and act – usually all at once!), in addition to having some other sort of business interest on the back-burner to sustain you financially. He’s level-headed and under no illusions of glitz and glamour!
It’s inevitable that we chat about his role in Isidingo, which he hopes to continue into next year, and his participation in one of our local seasons of Celebrity Survivor where he became (in)famous for wearing nothing but a red speedo most of the time! I ask if it was a publicity stunt and he tells me it wasn’t. It all came about purely because he was being the perfect gentleman. Cindy Nel needed a pair of shorts so he gallantly gave her his! He jokes that his mom always taught him to have manners!
Of course we chat about his participation in ‘Robin Hood’. It’s his first panto role and he’s thoroughly enjoying it, anticipating the interaction that the cast gets from an excited audience, especially the school-kids, many of whom have never seen live theatre before.
Phumi joins us, at which point Desmond chirps loudly from the table next to us that he’s most upset that I’m only chatting with the ‘pretty boys’! I tell him they may be pretty but he’s beautiful! Much laughter ensues before we continue. He’s actually busy with his own separate interview! I promise there’s no favouritism here!
Having been part of the cast of Bernard Jay’s recent production of Saturday Night Fever, already having been cast in Jay’s 2017 production of The Color Purple, and having worked with many of the current cast before, Phumi feels very strongly about the loyalty that exists between directors, producers, and their cast members. “The people make the show,” he says. “The synergy between them is what makes it all come together. Without that, there’s nothing.”
Once again, as with Izak, I’m humbled by the complete lack of affectation this man has by the industry he works in. He’s an outgoing, fun family man who proudly tells me that his wife and small son are his prized possessions and motivators, his entire reason and purpose for being. He sums it up by saying “You can lose yourself in the illusion of what you do. People need to ground you.”
For a final laugh, I ask them both which Superhero they’d be, given the chance. Actually I don’t get the chance to ask Izak because he’s guessed the question before I’m even halfway through asking it and immediately assures me that he would be Wolverine! When asked why, he replies, “because he’s tough, funny, strong and he protects.” Clearly 4 traits he associates himself with!
Phumi, on the other hand thinks for a couple of minutes, and then tells me he’d like to be Ant Man!! After I’ve finished falling over myself laughing, I pull myself together enough to reply that I’ve never heard of him. They’re both amazed! (No, really!) Unsurprisingly (I suppose, after that reaction!), I then got an in-depth tutorial on Ant Man: who he is, what he does. Ant Man views the world from the bottom up, and that’s something Phumi would like to do!
As for what they would consider to be their ‘theme songs’. No surprises when Phumi decides on ‘People who need People’, and Izak takes ‘He Ain’t Heavy, He’s My Brother’.
And finally it’s time to send them back to rehearsals, knowing undoubtedly that this year’s pantomime is going to be one whole bundle of fun if they have anything to do with it! And with all that laughter, it’s going to weave that magical spell as it always does, bringing delight and enjoyment to all who see it.
Make sure you’ve got your tickets booked. Robin Hood and the Babes in the Wood opens this week at the Joburg Theatre and the fun continues until 30 December. Book through the Theatre at www.joburgtheatre.co.za or 0861 670 670, or you can book at Pick n Pay Stores and WebTickets.
A BRAND NEW PANTOMIME ADVENTURE
FROM JANICE HONEYMAN
Riding through the royal forest of Sherwood on a glorious May morning, you don’t have a care in the world. Then you hear a bird call, the faint rustling of trees, and suddenly a man armed with a longbow appears in your path. He wears a feathered cap, or is that a hood? You can’t see the man’s face clearly, but you don’t have to. He is dressed in Lincoln green, the colour of Robin Hood – the most famous English outlaw of all time.
The earliest surviving Robin Hood ballad, Robin Hood and The Monk, dates from the 15th Century. Subsequently, the legend has become one of the most popular movie and TV stories of all time: from Robin Hood and His Merry Men, a 1908 silent film; to British television’s long-running series The Adventures of Robin Hood (1955-59); to 1973’s Walt Disney’s Robin Hood; to Mel Brooks’ hilarious Robin Hood: Men in Tights (1993); and to the 2010 movie Robin Hood, directed by Ridley Scott and starring Russell Crowe.
And now comes Janice Honeyman’s brand new pantomime adventure, Robin Hood and the Babes in the Wood, on the stage of The Mandela at Joburg Theatre from November 5th to December 30th 2016.
The plot combines the babes-lost-in-the-forest story with the Robin Hood legend. The young children, Hansel and Gretel, come to visit their uncle, the Sheriff of Nottingham, little suspecting that he is plotting their demise. But never fear, help is at hand – in the shape of Robin and his Merry Men, plus Maid Marian and the Spirit of the Forest!
Playing the role of Robin in his first Joburg Theatre pantomime is Izak Davel, best known to TV viewers as Isidingo’s arrogant Bradley Haines, and whose hit recordings include Verlei My, Is Jy In Of Is Jy Uit and Vreesloos.
Much loved panto star Desmond Dube returns to Joburg Theatre to play the jovial Friar Tuck, Idols finalist Bongi Mthombeni features in his fifth Joburg Theatre pantomime as the dandy Will Scarlet and leading lady of South African musical theatre, Kate Normington, will surely be wildly comic as Silly Sylviana, the Spirit of the Forest!
Also featured in Robin Hood and the Babes in the Wood are Graham Hopkins as the villainous Norman the Nasty, Sheriff of Nottingham, L J Urbani as the ever-popular panto Dame Emmarentia Ugly, Phumi Mncayi as chief lieutenant of the Merry Men, Little John, award-winning actress Candida Mosoma as Much the Miller’s Son (written with an inevitable panto twist!), beautiful Carmen Pretorius as Robin’s love interest, Maid Marian, and Jaco Van Rensburg as the wandering minstrel, Alan-a-Dale.
Joining them in the all-South-African cast are, in alphabetical order, TeeKay Baloyi, Darius Engelbrecht, Clive Gilson, Nuritt Graff, Kyra Green, Dirk Joubert, Dolly Louw, Yamikani Mahaka-Phiri, Tsepho Ncokoane, Noni Nkonto, Dale Scheepers, Natasha Van Der Merwe and Maryanne Van Eyssen.
“It’s an exciting year for us when Janice Honeyman writes a brand new pantomime script,” says Bernard Jay, Executive Producer of the panto. “We don’t know exactly what to expect until the last minute, but we do know it will be full of her magical flair for story-telling, spectacular special effects, zany comedy and outrageous double entendres!”
Writer / director Janice Honeyman collaborates with producer Bernard Jay on their sixteenth Joburg Theatre pantomime together. Rowan Bakker joins the team this year as musical director; Nicol Sheraton returns as choreographer; the eagerly anticipated, over-the-top, fabulous sets and costumes are once again supplied by Qdos in the UK; the lighting design is by Graham McLusky; sound design by Trevor Peters; and Timothy Le Roux is the resident director. As with many past successful pantomime productions at Joburg Theatre, Claire Pacariz and Simon James serve as associate producers.
Robin Hood and the Babes in the Wood has preview performances on The Mandela stage at Joburg Theatre on November 5th and 6th with tickets from R170. Its official Opening Night is scheduled for Sunday November 6th and the season continues until December 30th, with tickets priced from R220.
Over 30,000 tickets have already been sold for this year’s panto, so best to hurry and get yours now for South Africa’s most popular family entertainment tradition. Tickets are available by visiting www.joburgtheatre.com or calling 0861 670 670, as well as through Webtickets and at Pick ‘n’ Pay stores. For group bookings of 10 or more, contact the theatre directly on 011 877 6853/6815.
For details of the full schedule and performance times, visit www.joburgtheatre.com