Isn’t it just ridiculous that in 2018, we adults have learned absolutely nothing … and that the more things change, the more they stay the same … and that the more progress we’ve made, the more backward we really are?!? Well, thank goodness for bright, bold, unapologetic children’s musical theatre! It says it like it is, without sugar coating or subtlety – kids just don’t buy into that nonsense.
Written by Melvin Tunstall III, composed by our very own SA boykie, Greg Borowsky together with Douglas Lyons, who also wrote the lyrics. The original idea of POLKADOTS was inspired by the Little Rock Nine who ended segregation in American schools in the late ’50’s. But before you start yawning, and wondering how on earth this relates to kids of today … sadly it does!
What’s it all about? Lily Polkadot (the gorgeously bubbly Gugu Dhlamini) has recently moved to the town of Rockaway and is apprehensive about her first day of school. She’s the only Polkadot in a school of Squares. And immediately she’s targeted by Mean Girl, Penelope Square (Kirsty Marillier, in fabulous, full-scale viciousness), purely because of the way she looks – she’s a ’round peg, in a square hole’ and isn’t wanted here! She’s misunderstood wherever she turns, and whatever she says (despite her determined optimism), and even confronted with a separate water fountain to drink from! All she needs is one friend so that she doesn’t feel alone. Surprisingly this comes in the form of Penelope’s shy brother Sky (wonderfully awkward and endearing Bonginkosi Jay Hlatshwayo), and also the sunny teacher Mrs Square (vivacious and highly accomplished
Andrea Shine – who also doubles up as Mama Square).
This small, but extremely skilled cast has no trouble keeping its audience enthralled, engaged and entertained and in just 55 colourful, vibrant minutes, our four main characters teach us all some fundamental life lessons!
There’s a very good reason why POLKADOTS recently won the Off Broadway Alliance Award for Best Family Show in New York. The entire show teaches us that what makes us different is what makes us awesome! Not one of us is the same, and why do we even want to be? But then why can’t we accept each other as we are – for after all, we’re all the same on the inside?
Kids of all ages will gain something from POLKADOTS, whether it’s just the fun element, the catchy songs that carry great messages, or the more in-depth meaning of the storyline. There’s really something for everyone here.
This is POLKADOTS’ first international production and it’s not surprising that it’s led by an award-winning local team. Making its debut at this year’s REDFEST, followed by a week of school holiday shows at Redhill, it’s produced by Joseph Gerassi for Redhill School, in association with producers Drew Bakker and Rowan Bakker for &CO, together with associate producer Matthew Counihan. Shelley Adriaanzen directs and choreographs, with musical supervisor by Rowan Bakker and production design by Sarah Roberts.
With its strong anti-bullying message, a tour schedule is in the pipeline. So keep a close eye on the POLKADOTS SA Facebook page for updates.
For info on shows this week, and to book, click here.
Don’t miss POLKADOTS. I can’t recommend it enough!
All cast photo credits: Ronel Hugo
A journey to the heart of FABULOUS …
PRISCILLA QUEEN OF THE DESERT
The hit musical makes its SA debut with local cast.
Get ready for the musical journey of your life! The critically-acclaimed hit musical Priscilla Queen of the Desert based on the Oscar-winning hit film makes its South African premiere at Artscape, Cape Town on Tuesday, 28 March 2017. Presented by Showtime Management in association with Lunchbox Theatrical Productions and Nullarbor Productions, and featuring an all South African cast, Priscilla will be on stage at Artscape until Sunday, 23 April, thereafter moving to Montecasino’s Teatro from Friday, 28 April to 18 June 2017. Tickets are now on sale at Computicket. Hashtag: #PriscillaSA. Brought to South Africa in association with BBC First.
Priscilla Queen of the Desert The Musical originally opened in Australia in 2006 and after a sell-out two year run, opened on London’s West End followed by Broadway in New York. The show continues to wow audiences across the globe with recent return tours to the UK, Australia and New Zealand. It has won awards all over the world, including prestigious Olivier and Tony awards.
Critics the world over rave! The Herald Sun (Australia) claims the show is “Vivid, daring and over-the-top” while The Daily Telegraph (UK) sums up the show as being “hugely entertaining … insanely glitzy”.
Priscilla Queen of the Desert is a heart-warming and uplifting tale of three drag artist friends who hop aboard a battered old bus aka “Priscilla” and go off on the adventure of a life-time through the Australian Outback, to perform in Alice Springs. On the way they find friendship, love and far more than they ever dreamed of.
With a dazzling array of over 500 award-winning costumes, 200 extraordinary head-dresses and a hit parade of dancefloor favourites including I Will Survive, Hot Stuff, Finally, Boogie Wonderland, Go West, Girls Just Wanna Have Fun, and I Love The Nightlife, this wildly fresh and funny musical is a journey to the heart of FABULOUS!
Showtime Management’s Hazel Feldman says: “Priscilla is the ultimate ‘feel-good’ show. This dazzling musical has all the ingredients for a superb night out: the most wonderful costumes, outrageous glamour, music that will have you dancing in your seat and a funny yet touching storyline. No wonder this show has been such a massive hit from the West End to Broadway and beyond.”
The proudly South African, exceptionally talented 28-member cast, live band, crew and creative team will give audiences a night of unforgettable performances, nostalgic music and an entertainment experience with all the sparkle to share in Priscilla’s “fabulousness”.
The principal roles will be played by stellar stage, screen and television performers including David Dennis who has achieved prominence in leading roles from classical to contemporary and musical theatre to film and television over the past three decades (Pirates of Penzance, Starlight Classics and movies 10000BC, Winnie and Zambezia); Daniel Buys (Jersey Boys, West Side Story, Saturday Night Fever); Phillip Schnetler (Saturday Night Fever, The Wonderful Wizard of Oz) and veteran actor, James Borthwick (Sunset Boulevard, Evita and over 200 other productions).
Additional roles are played by Taryn-Lee Hudson (Singin’ in the Rain, Jersey Boys), Chantal Herman (Little Shop of Horrors, Evita, Noah of Cape Town) and Candice van Litsenborgh (Annie, Sweeney Todd, Sunset Boulevard) with Candida Mosoma (Lion King, Sister Act, Joseph and the Amazing Technicolour Dreamcoat), The Voice of SA finalist, Thembeka Mnguni (High School Musical, Grease) and Durban born Londiwe Dhlomo (Cabaret, Little Shop of Horrors, Puss in Boots) as the three dazzling Diva’s.
The ensemble features a host of multi-talented local performers including Tshepo Ncokoane (Shrek, Janice Honeyman’s Pantomime Sleeping Beauty); Zane Gillion (Sister Act, Saturday Night Fever, Dirty Dancing); Michael Fullard (Hot Mikado, Sleeping Beauty, Sneeuwitjie); Michael Wallace (Rocky Horror Picture Show, Cabaret, West Side Story); Craig Hawks (Black Sails television series, My Fair Lady); Ryan Flynn (Rocky Horror Picture Show, The Sound of Music, Jersey Boys), Samuel Hyde (Singin’ in the Rain SA, Asia and Australia/New Zealand Tour); Henk Opperman (Private Presley, Dirty Dancing the Musical SA and Asia). Fresh new talent includes Dirk Joubert, Jonathan Raath, Nadine Grobbelaar, Donae Brazer, Lourens Obermeyer and Darius Engelbrecht.
Original Priscilla international Director, Simon Phillips together with Choreographer, Andrew Hallsworth will be coming to South Africa to mount the show together with Resident Director, Anton Luitingh; Musical Director, Bryan Schimmel and Resident Choreographer, Duane Alexander.
Board the bus! Bring your “fabulousness” on this highly entertaining journey. Book now at Computicket by calling 0861 915 8000, visit www.computicket.com or your nearest Computicket service centre.
NB: This musical contains some strong language and adult themes, therefore parental guidance is recommended for children under the age of 12.
Special hospitality packages as well as Show & Stay packages available from Montecasino Hospitality & Corporate Events, (011) 3674250 or email@example.com.
Stay current on the latest news through social media on Facebook Twitter and YouTube #PriscillaSA
A Review of Saturday Night Fever, currently on stage at the South African State Theatre
I’ll start off with a confession – I’ve never seen the film version of Saturday Night Fever!! Shock, horror, yes … you can all pick up your jaws and close your mouths now! I didn’t see John Travolta do the whole strut thing in the iconic 3-piece white suit, I only saw the stills; I didn’t hear the Bee Gees’ soundtrack played in its original backdrop format. Hence, when I heard the adapted radio versions, I had no clue of their actual depth or meaning. But that’s all ancient history, relegated to what had become that somewhat lacklustre Disco file of the late 70’s, when I was %$# years old!
Roll on to September 2016 and Bernard Jay’s production of Saturday Night Fever hits the Opera Theatre of The South African State Theatre … I’m now $%*@ years old, and I’m damn excited about it all! Disco’s back! It’s fun, fab, retro and groovy (ok, I know, nobody uses that word)! Glitter balls, go-go boots, big hair and colour, lots and lots of colour!
The storyline goes roughly something like this (just in case you’re part of the uninformed minority):
It’s June 1977, the hottest summer on record and New York is sizzling. Down in the boroughs racial tension is brewing, jobs are scarce and people are angry. Money’s tight, hope seems like a foolish luxury and the only light on the horizon is the glittering disco ball above the dance floor in the club where Tony Manero and his crew, The Faces, hang out on a Saturday night. Tony is ‘da man’. He struts, he moves, he grooves, and everyone else is in awe, especially Annette. Unfortunately, he would prefer the aloof Stephanie Mangano to be as awestruck, but that’s going to take a bit of work on his part. Throw in a side-plot or two, some angst, some religious guilt and there you have it! Oh, and don’t forget all that unforgettable Bee Gees music – Staying Alive, Night Fever, More Than A Woman, Disco Inferno, What Kind of Fool … and of course, many more.
And it’s all here, everything that can be crammed into a nutshell stage show, and Jay has pulled no punches with putting together a theatrical dream team for this creation. Sarah Roberts’ costumes are spot-on, instantly transporting you to that era of (slightly embarrassing) flares, high waists and wide lapels. Award-winning director Greg Homann proves that he’s clearly able to cast his net a lot wider than solely serious theatre. In this, his musical directing debut, he’s done a sterling job. Musical maestro Rowan Bakker, assisted by Drew Bakker directs his 8-piece band with pacey, up-beat panache through, what for many, is a trip down a music memory lane (by the way … just a quick shout out to Trombone player Dan Selsick … you know, trombone players never get mentioned, so … hi). The energetic, vibrant cast are put through their paces by choreographer Weslee Lauder, who ensures that every step, lift, spin and turn is executed with slick precision.
But oh my word … that set!! Denis Hutchinson has created a living, breathing entity that surges around the stage as if it is its own entirely separate, individual character! It opens, shuts, slides, rises, sinks, splits – I almost wanted to ask it to make me a cup of coffee! It is an innovation of design genius, enhanced by ingenious, strategic lighting.
And to populate this epic masterpiece, one needs a bunch of gorgeous looking talent, which we have in shovel-loads. The cast is a cohesive and comfortable ensemble, ably navigating the ups and downs that their characters endure, as the audience is quickly swept up and into their lives, their struggles and their triumphs. Accolades must go to:
Daniel Buys, playing an understated Tony. There’s every opportunity for him to overplay the role, but he reigns it in, allowing his talent and charm to shine through whether he’s taking to the floor at the 2001 Odyssey nightclub, or singing his poignant solo rendition of ‘Tragedy’.
LJ Nielsen, for her touching portrayal of the sweet but vacuous Annette, who has yet to discover who she really is. Nielsen’s beautiful, rich voice certainly can’t fail to catch the audience’s attention, even though Annette failed to catch Tony’s. And I have to say, I particularly loved her facial expressions. They just added an extra nuance to her entire performance!
Natasha van der Merwe for her perfect depiction of the ‘on the surface’ cool and collected Stephanie Mangano, while below that tough exterior she’s paddling for all she’s worth! Stephanie epitomises every ‘Tony’ trying to improve his life, determined not to be dragged back to where they started from, but struggling between a new life and acknowledgement of their roots. Van der Merwe gets it right on all levels, striking a balance between tentative and determined and finishing strong.
Kiruna-Lind Devar, the sweet-faced and even sweeter voiced Pauline who only wants to do the right thing. Watch this space people; this is a young performer going places. Big places!
Sebe Leotlela as nightclub singer Candy is incredible and deserves more prominence, as does Bongi Mthombeni as Monty, who could also be put to much better use here.
Take the show for what it is. It’s an enjoyable musical; a bit of a serious theme here and there, but lightened up with many well-known sing-a-long tunes, well-executed dance numbers, a bunch of great looking people in colourful clothes, on a drop-dead incredible moving set! It’s not rocket science, don’t try and read too much into it. Just go and have fun … we all need to have a lot more fun and we’re damn lucky that we have a bunch of people out there who are working their butts off to give it to us!
Saturday Night Fever is on at the Opera Theatre at the South African State Theatre in Pretoria until October 9.
If you haven’t already booked at Computicket, go and do that right now! Why are you still reading this? Go … book … NOW!!!
[PHOTO CREDITS: SANMARI MARAIS]
I firmly believe that Nataniël is a national treasure who should be nurtured and cherished like the priceless gem that he is!
After admiring him from afar for so long, I finally went to see him onstage in his previous show After Animals, and I was transported to another realm of Nataniël’s own creation. He is a true genius, and I was so thrilled when the show deservedly received numerous Naledi awards earlier this year, including awards for Best Costume Design, Best Score and Best Lighting.
So I’m pretty elated (actually that’s a bit of an understatement) that his much anticipated new show is opening in Johannesburg in the not too distant future, and that I’m able to bring you all the details right here, after receiving the press release earlier today …
Multitalented stalwart of the South African entertainment industry for over two decades, Nataniël is more than just a producer, director, designer, playwright, public speaker and performer – he is a true icon of stage and screen. Nataniël will return to the Theatre of Marcellus stage at Emperors Palace with a new stage production, MANNEQUIN, from 18 August to 25 September 2016. (There will be a week of previews from 18 August, with the show opening officially on 25 August and runs until 25 September 2016.)
The production tells the story of an author who toys with the idea of writing a book about the life of a reclusive tailor. MANNEQUIN is the story told by his tailor. A tale of surprise, fear, cruelty, humour, truth and fantasy. The show will not only feature original music, but also Nataniël’s surprise versions of a few of the world’s best known songs from the late sixties and the eighties.
Nataniël will share the stage with long-time fellow musicians Charl du Plessis (keyboards), Juan Oosthuizen (guitars), Werner Spies (bass), Hugo Radyn (drums) and favourite singers Nicolaas Swart and Dihan Slabbert. This show, structured around stories told in both English and Afrikaans, is about visual beauty and tailoring, and features an astounding collection of new costumes by the multi award-winning designer, Floris Louw.
MANNEQUINN, set to captivate audiences with its masterful blend of music, storytelling and breathtaking costumes, will be performed from Wednesdays to Saturdays at 20h00, and on Sunday afternoons at 15h00. Tickets start from R160 per person and can be booked through the Emperors Palace Box Office on 011 928 1297/1213, or by visiting www.emperorspalace.com or Computicket. Winners Circle members qualify for discount.
There is an age restriction of No Under 15’s and the show is 90 minutes in duration with no interval.
Emperors Palace is a Peermont resort. Like them on Facebook or follow them on Twitter @emperorspalace.