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Pinocchio – It’s a Real Panto!

Kanyi Nokwe (Pinocchio) 2The minute that invitation to the annual year-end pantomime hits your Inbox, your heart gives a little thump of joy … and not just because it signifies that the holidays are around the corner!

This is Janice Honeyman’s 30th pantomime, which is an achievement in itself. The fact that she continues to get it right, drawing in audiences, surprising and delighting the crowds every year, is a testament to her sheer talent and skill. She has a gift of knowing the perfect recipe to thrill her audiences, and Pinocchio, her offering this year is certainly no different. There’s just the right balance of innuendo, political lampooning and catchy tunes (both new and old) to hold the attention of all ages throughout the show. This combines with some truly eye-popping, phenomenal sets and an energetic cast who are all clearly fully immersed in the magical world they’re responsible for creating.

I’m positive that part of Janice’s ongoing ability to succeed at exciting her panto audiences year in and year out, is her own inclusive participation in the process. She’s not merely a writer and director who sits back and watches things happen statically as she’s penned it. When I interviewed some of the cast members during the rehearsal process, the common thread they all spoke about was Janice’s method of character development: allowing each actor to make the role their own and not merely something she’d put down on paper.

Returning to the age-old panto tradition of females taking on male lead roles, Pinocchio, the little wooden puppet who yearns to be a ‘real boy’, is played by Kanyi Nokwe who gives a stellar performance. Her endearing wonderment at the world around her/him is delightful, as is her excellent portrayal of a puppet, unable to move as fluidly as her human counterparts.

Pinocchio'17 (225)The much-loved Tobie Cronje returns to the panto stage as the bumbling Geppetto, who’s always longed for a son. He’s pursued by the hilarious Dame Arletti Spaghetti, played with uproarious aplomb by Grant Towers, in bright, brash, full-on technicolour! She happens to conveniently have a son available, the lazy Lampwick played with appropriate ‘too cool for school’ laid back, nonchalance by Ben Kgosimore. For some reason though, he’s not quite what Gepetto’s looking for in an offspring!

Mark Tatham (Cricket) & Ilse Klink (Bella, Blues Fairy)Mark Tatham bounces around the stage with boundless (actually, seemingly endless) vim and verve as a rather whimsical Jiminy Cricket, instructed by Bella Bouboulina, The Blues Fairy (you read that right – she’s a ‘Blues’ fairy with Southern flair) to be Pinocchio’s conscience. Ilse Klink, seasoned professional of SA stage and screen gives the role her own sprinkling of sparkling pizazz: she’s classy, funny, playful and just the right amount of bossy when she needs to be!

Andre Schwartz (Fox) & Chi Mhende (Cat)And panto always needs its villains doesn’t it? This year, we have André Schwartz as Il Fortunato the Fox who, although not quite as evil as his previous panto counterparts, is quite happy to ham it up as a foxy Phantom of the Opera – it’s inspired and the audience adored it! He’s accompanied by the brilliant Chi Mhende as Pussy Galore. Her claws are permanently out, and she’s wicked enough for the both of them!

The lighting and special effects are spectacular, all complemented by a tight, dynamic ensemble, complete with fresh-faced youngsters from Born to Perform (Stageworx School of Performing Arts).

Pinocchio'17 (21)Being panto, one does tend to slightly lose sight of the theme of the original story being told as it usually gets diluted in the inevitable tweaking of the plot. The actual background of Pinocchio is particularly pertinent to this time of year. It’s all about family values, listening to your conscience and doing the right thing despite all the pressure that’s thrown at you from all sides – and in this day and age it does seem that this happens literally from the day you’re born, as happens to Pinocchio, who candidly proclaims “I’m only one day old!” He still needs to muddle through the ups and downs of the challenges he’s faced with, as one does in life, learning who he can and can’t trust along the way, and having a whole bunch of entertaining and hair-raising adventures while doing so. And we, the audience, are lucky enough to join him on the journey.

Pinocchio, The Ultimate Pantomime Adventure is currently on the Mandela Stage of the Joburg Theatre until December 30th 2017.

To purchase tickets, visit www.joburgtheatre.com or call 0861 670 670.  Tickets can also be purchased in person at the Joburg Theatre box office or by booking and paying via the Nedbank app and at selected Pick n Pay stores.

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PINOCCHIO – A Magical Pantomime Adventure For The Whole Family

PinnochioIt’s preview week for Panto 2017! Janice Honeyman’s 30th Pantomime, Pinocchio officially opens over the weekend but this coming week sees the first audiences filling the Joburg Theatre to see what this year’s festive season pantomime has in store. Mostly these previews will be made up of schoolchildren, some of whom have never even set foot inside a theatre before, so this experience will be brand new for them.

Audiences will be thrilled to see favourites like Tobie Cronje (a firm panto favourite), André Schwartz and Garth Collins (Granite of TV’s Gladiators fame) in the cast. But this is will also be a brand new experience for the 3 Panto stars that I chatted to recently, who I christened my ‘Panto Virgins’. Although they’re each highly skilled industry professionals with years of experience under their belts, they’ve never participated in a Janice Honeyman pantomime before so for all of them, this has all been very new and different.

 

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Ilse Klink is no stranger to South African followers of stage and TV, one of her most notable roles being in Isidingo, for which she received an Avanti award in 2000. She’s appeared in a number of TV series, and stage shows, far too numerous to mention, and she’s a much sought after performer due to her versatility and genuine warmth. In fact, Ilse had been about to accept a role in a different project, when the offer to play Bella Bouboulina, The Blue Fairy in Pinocchio, was extended to her! She explains, “I didn’t hesitate in choosing the panto role because of the sheer history of the Janice Honeyman Pantomime!” She had worked briefly with Janice back in 2006, and ever since then she’s wanted what she describes as ‘the full experience’.

 

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Photo Credit: Corne Du Plessis

For Grant Towers, this year’s Dame, this is a dream role. In his opinion, despite what many may think about open minds and progressive advances having been made, both within the theatre industry and universally, the LGBT (Lesbian, Gay, Bisexual, Transgender) community is still frowned upon. He laughs, “But every year, people still pay to come and see a man dressed up as the dame, and they all love her and want photo’s with her!” Yes, it’s theatrical irony at its sardonic best. Grant describes the dame this year as an ‘insane, menopausal, Italian woman’ and says that he intends to do that description justice!

 

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Photo Credit: Corne Du Plessis

And what would Pinocchio be without his alter ego, Jiminy Cricket? Mark Tatham takes on the high energy role of Pinocchio’s conscience, and tells me that he loves the combination of physicality and wisdom that his character manages to encompass. We’re lucky to have Mark with the panto cast as directly from here, he moves on to play Ed the Hyena in the touring company of The Lion King! It’s a 3-year stint where he’ll also understudy Timon and Zazu! An incredible opportunity for this amazingly talented and amiable actor.

 

So, as we’re chatting, the actors taking advantage of the brief break in their busy rehearsal schedule, one thing becomes distinctly apparent – the magic of the pantomime is safe and sound in the most capable and loving hands of one very unique, special person:

  • Janice Honeyman is an extremely highly revered director, not only because of her obvious years of experience which give her gravitas in her field, but as Grant clarifies, “Janice is to be admired for her directness because she gives you a sense of accomplishment in yourself … and she’s not mean!”
  • Mark goes on to say, “I love that Janice is so open to any suggestions that the cast offer.”
  • Ilse concludes by adding, “You get permission to be a performer with panto, especially with Janice at the helm. Every year you drive past that billboard and you hope, ‘one day, one day’… and then, that call comes and it’s THAT day!”

The excitement that these three performers feel at their upcoming appearance is obvious! They talk about concepts such as vision, belief and putting your dreams out to the universe in order to manifest them into reality, and that’s surely something they’ve all put into practice. Don’t think they’re sitting back after completing their Panto sting. As we’ve already said, Mark’s off to join The Lion King. Grant will be appearing as Brian in Avenue Q from April, and Ilse has not 1, but 2 movies that she’ll be filming, the first on the Orange River from March, and then straight after that another one in Cape Town.

But for now, they can’t wait for that vibrancy that only interaction with a live audience can bring, especially when that audience is made up of such a high percentage of children, who truly allow the enchantment and delight of the onstage wonder to captivate them.

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Photo Credit: Corne Du Plessis

Do yourself a favour: regardless of your age, take a walk away from the ordinary, suspend belief just for a little while and immerse yourself in the fairy-tale world of the Pantomime this festive season!

It’s just a step away … the Blue Fairy, the Dame and Jiminy Cricket await.

 

Pinocchio opens on The Mandela stage of Joburg Theatre on November 12th and runs until December 30th.

Pinocchio is written and directed by Janice Honeyman, with musical direction by Coenraad Rall and choreography by Nicol Sheraton. Timothy Le Roux is resident director and Dale Scheepers is band leader.  The pantomime is produced by Joburg Theatre and Bernard Jay, in association with MNet, Jacaranda FM and Your Family Magazine.

Tickets for Pinocchio are on sale from R185: telephone 0861 670 670, go online at www.joburgtheatre.com, or book in person at the Joburg Theatre box office.  Patrons can also book and pay via the Nedbank app or walk-in at selected Pick ‘n Pay stores (a full list is available at www.webtickets.co.za/pnpoutlets.aspx) – or book on-line and then pay at any Pick ‘n Pay store.

 

SHARON SPIEGEL WAGNER SIZZLES IN SABC3’s BEDFORD WIVES

Sharon Spiegel-Wagner 2

Every Thursday evening at 19h30, since the end of August, the charismatic Sharon Spiegel Wagner has had South Africans glued to their TV’s watching SABC3’s BEDFORD WIVES, as the local comedy-drama unfolds with her character, the feisty Despina Giannopolous, taking centre stage.

Set in the lavish but seedy Johannesburg east suburb of Bedfordview, Bedford Wives follows the lives of four women and a somewhat sordid community of Bedfordview criminals who, on the surface, live pristine and perfect lives but, behind closed doors, have skeletons in their closets and secrets aplenty.

When her charming restaurateur husband, Marco Giannopoulos, is found dead under a side of lamb and dripping in gourmet olive oil, Bedfordview housewife and Mrs South Africa entrant, Despina, vows to keep the family businesses going – but then learns the real family business is crime…

Nothing is at it seems…

Bedford Wives

I’m not ashamed to say I’m completely hooked, and won’t miss an episode! It’s completely addictive, and ticks all the boxes for unmissable TV!

I recently sat down for coffee and a chat with Sharon to find out what life’s been like for her since Bedford Wives hit our TV screens – and if you haven’t caught on yet (we’re already 9 episodes in with just 5 left), you can catch up on YouTube where you’ll find all past episodes.

And indeed, nothing is as it seems, because Sharon is quite delightful; modest and unassuming and not at all like her onscreen persona, Despina, who is very much the typical ‘Bedford Wife’ and wouldn’t be caught outside of the house (or probably inside, for that matter) without her full armour of make up, designer clothing and killer heels!

Although Sharon’s first love is definitely musical theatre, her experience on Bedford Wives has been so positive that it’s quite encouraged her to explore the possibility of further TV roles in the future. She wasn’t initially asked to audition for the role of Despina, and in fact, was the very last person to audition for the part. Just an hour later, she got a call from her agent to say she’d got the job. Sharon describes her complete shock at hearing the news, but once she realised that it was actually true, she was (I quote) “sublimely excited”. And it’s proved to be a dream from beginning to end with the entire cast and crew being not only amazing to work with, but also completely understanding and flexible around Sharon’s other role: that of being mom to her 2 young daughters, one of who was just a few months old at the time of filming the series.

by Xavier Saer Photography

It was this that made Sharon realise that she might quite like to pursue more TV work in the future as it’s more adaptable to family life. She loves the art of acting and has grown enough within it to know what’s right for her and what isn’t. When she knows a role’s not for her, she’s excited to see who will play it. This is the mark of a true professional, or as Sharon so aptly describes it: “There’s an actor that loves the art, and there’s the actor that loves himself in the art.” That individual who purely loves himself in the role, and who cannot bring himself to rejoice in the success of a colleague is not quite there yet, regardless of whatever talents may have been bestowed on them.

When asked if she’d be happy for her kids to work in a similar or related industry to the one she’s currently in, knowing what she knows about all of the demands and drawbacks as well as the constant struggles and one-upmanship that the business is notorious for, Sharon’s immediate reaction is “Preferably not!”

by Xavier Saer Photography

But then … on reflection … she reconsiders. She feels that no matter what career they decide to follow (even if they want to become actors), there has to be understanding, appreciation and love for what one does, and they need to feel a true purpose for what they’re doing. When it comes to sensitivity they need to know how the business works. She reiterates, “… especially this business.”

For now, Sharon is taking a break, spending time with her kids and thoroughly enjoying watching them grow. She’d love to do more TV work, and is thrilled that Bedford Wives has opened up new horizons for her. We shared our strong views on how absolutely crucial it is for women to support each other and encourage each other. So often though, you find the opposite happening – we tear each other apart, instead of building each other up! Here once again, Sharon returns to the Bedford Wives set, speaking admiringly of her female director who allowed her the freedom to add her own interpretation into her role of Despina, or as she describes it, “a bit of quirk,” and who put her at complete ease with some scenes that she might otherwise have felt quite uncomfortable performing.

by Xavier Saer Photography

So, what’s next after this break? “Something BIG … I hope,” laughs Sharon, explaining that this is usually the work pattern that she follows. Whether it’s back on stage, where she feels most at home, or on our TV screens playing another feisty, go-getting, glitzy leading lady, Sharon puts heart and soul into everything she does, so whatever it is, we know it’s going to be fabulously fantastic!!

(But … no pressure, or anything!)

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