BORN TO PERFORM presents SHINE! 2019
Born To Perform founders Gemma and Matthew Marinus recently took some time out from their hectic schedules to chat to me about this year’s exciting, upcoming production, SHINE! MC for the show, popular rising star, Zinah, also joined us.
Born to Perform was born out of the Stageworx school for performing arts. Stageworx is a space where Gemma encourages authenticity at all times. All who attend are taught the importance of respecting themselves, each other and the world around them. She acknowledges though, that today’s kids struggle to communicate directly because of social media. Stageworx uses the arts to guide them in understanding who they are, what they are and where they position themselves in the world as human beings.
Matthew adds that with the kids who study song-writing (these are the ones he predominantly works with), he’s found that there’s a need for them to understand who they are without the ‘outside noise’ of everyone’s opinions.
One of the fundamental principles of Stageworx is to celebrate all people and their successes. There are many doors and many opportunities, and it’s essential for these kids to understand this process and applaud others when a particular opportunity wasn’t theirs.
Gemma firmly believes that it’s their job as teachers and mentors to continually ask how they can handle situations better with young people if you feel you may have handled a difficult situation poorly. Even in conflict, she always tries to give them a learning situation, asking them to “Express how you were feeling …” She feels that if you allow the kids to analyse themselves, they learn how to approach various life situations and by doing so, she’s creating better humans.
I asked Gemma if she’d ever open up another branch of Stageworx? She replies that it’s not on the cards. “Stageworx is a personal experience, which is why there’s only one school.” For her, it’s not about the numbers. It’s about the quality of the experience and the time she gives to the kids. She wouldn’t be able to give her all, like she’s doing now if she had to split herself between more than one school.
She tells me that when she was a teenager, she grabbed every single opportunity to perform. “It takes years of practice to be an overnight success! You need to be ready!” All that experience accumulated, and when the time was right, it all came together. “You need to eat, sleep, breathe the industry and want it enough to do the work!” This is the message that she imparts to every single young person who dreams of a future in any of the performing arts fields.
That passion really goes into Stageworx a full 100% and I couldn’t imagine it being diluted in any way by Gemma opening up somewhere else and trying to replicate it, or relying on someone else to do it for her!
Zinah tells us that she was bullied at school. She always thought that she was a bad person because of this. But she’s come to learn that your own experience can be a learning experience for someone else. She (quite rightly) feels that we’re always so fixated on trying to change people, as opposed to just understanding them. Kids and teens tend to live in their own self-absorbed bubble and aren’t aware that others are going through the same stuff.
Coming out of Women’s Month and a heightened awareness of the horrific increase in crimes against women and children, I had to ask Zinah about her latest music video for her newly released single, ‘Ever Been’. The song is stunning and the video itself is visually slick and stylish, but I was interested to know why Zinah had willingly portrayed herself in such an openly provocative manner. Although she’s clearly absolutely gorgeous, it concerned me that it would send young girls (and men) the wrong message.
Her response is one that all of those who see the video need to hear: Zinah told us that since appearing in last year’s show, she’s had a big shift in how she conducts herself with people. As a product of Stageworx, she had the privilege of seeing that it was run by a strong woman who taught her how to work as a woman in this industry. After years of feeling inhibited and unworthy, she’s now finally comfortable in her own skin and is proud of who she is. She strongly believes that women shouldn’t be objectified, and is ready to own who she is!
Zinah also spoke about being able to work with people she was completely comfortable with and spoke so highly of Matthew and the way in which he guided her every step of the way, ensuring that she was happy with the creative process.
And then she drops a bombshell! She tells us that one of the other reasons she was ready to do a music video like this, ready to own how she looks and put herself out there, showing how truly beautiful she is, was because she was sexually abused when she was seven years old! I think that to say we were all stunned would be an understatement! We were even more shocked to learn that she only told her parents about this three weeks before our meet-up!
Zinah went on to say that it was a huge transition to move from expecting to be disrespected to knowing that you deserve respect because you’re now comfortable in your own skin; knowing that you’ve forgiven that person and have been able to move on. She tells us that it’s healing for herself. She knows she deserves love and deserves NOT to be objectified.
If she can be someone who speaks for positivity and strength on women’s ability to say NO, then she wants to be that person. She quotes Gemma, who often says, “Kindness is key.”
Gemma reminds us that people can be extremely unforgiving when they don’t even know the full story – all they see is a picture of a video.
She says that we’re lucky to live in the world we’re in as women, compared to where we’ve come from with many more women being in high-end corporate positions than there were 10 or 20 years ago. She tells me that her Born To Perform vision -from when they staged their first shown in 2015 – was always to perform on the Teatro stage! And that’s exactly where they’ll be next weekend for just 4 shows from 13 – 15 September. And they’ve had nothing buy support from the ‘powers that be’ at Montecasino.
She goes on to speak in glowing terms about her ‘mentor and voice of reason’, Bryan Schimmel, her producer and creative partner. Although he was overseas with the international tour of ‘Chicago’ for much of the run-up to SHINE! they’ve spoken every single day and he has still been as involved as he would have been, had he been right here! He’s also been Zinah’s mentor since last year.
What can people expect from this year’s production of SHINE!!? A showcase of amazing young talent! 450 spectacular young performers on stage, together with celebrity appearances by The Voice SA Season 2 winner, Craig Lucas and The Voice SA finalist Thembeka Mnguni and a special appearance from The Voice SA Season 3 Finalist, Yahto Kraft.
There will also be moving performances from Buddy Sacks and St Vincents School of the Deaf, and performers from Fourways High School, Mondeor High School, Curro Aurora – Sundowner and New Generation Pantsula Dancers from Alexandra.
SHINE! 2019 is on stage for FOUR SHOWS ONLY at The Teatro at Montecasino:
Friday 13 September at 20h00
Saturday 14 September at 15h00 & 20h00
Sunday 15 September at 15h00.
Tickets range from R180 – R320 and can be booked online at www.montecasino.co.za or through Computicket.
Various Public Group Bookings and Tsogo Sun Rewards Discounts are available through Computicket.
Group School Bookings are available on request by emailing firstname.lastname@example.org .
Upon confirmation, Group School Bookings of 20 seats and more will receive the added benefit of a SHINE! Workshop delivered by Born To Perform, at their school.
** A special performance made accessible for the deaf community will be taking place on Saturday 14th September at the 15h00 performance, with an on-stage signer.
At this performance, audiences have access to the Opticon system for the hearing impaired. This facility is only available in specific seats within The Teatro, so bookings would need to be made directly with the Teatro Box Office on 011 510 7472. **
Watch the advert for SHINE! 2019: https://youtu.be/RhiF_Jb0WQQ
Follow Born to Perform on Social Media (where you can also catch lots of rehearsal clips!):
Instagram : borntoperform.world
Face Book: https://www.facebook.com/Borntoperformgala
YouTube: Born To Perform TV
DIRECT FROM NEW YORK AND FOR THE FIRST TIME IN SOUTH AFRICA!
An all-male comedy ballet danced by 16 prima dancers from 7 countries around the world.
We’re just 10 days away from the arrival of Les Ballet Eloelle’s MEN IN TUTUS – on stage at The Teatro at Montecasino for 4 shows only from Friday 12th – Sunday 14th April!
Humour in classical ballet is hard to find, and this is one reason for the enduring popularity of this fabulous troupe of male ballerinas. Direct from New York, Les Ballets Eloelle’s latest international production Men In Tutus is the most spectacular, talented and hilarious all-male comedy ballet ever!
The internationaly company has dancers from Argentina, Colombia, Mexico, United States, United Kingdom, Australia, Spain, Japan and The Philippines for this tour.
Men In Tutus will open at the Teatro, Montecasino, on Friday 12 April and will run for four performances only, until it moves to Cape Town, the Artscape Opera House from 18 to 21 April 2019.
Enjoy a taste of what to expect by watching this video advert: https://youtu.be/Y0NK_t3hFcE
Classical ballet likes to take itself seriously, which may explain why you don’t get many comedies on the ballet stage. Yet those of us who love tutus and tiaras also like nothing better than to laugh with the hairy man-ballerinas!
Artistic Director (and also a principal dancer in the show), Victor Trevino states;
“Our mission is to help bring new audiences to dance through comedy. We are essentially sharing the love of an artform with as broad of an audience as possible. Our hope is that audiences that come to our show who have never been to a ballet will consider seeing traditional (serious) dance. There is this mystique that dance is too difficult to understand and is only for audiences who have a deep knowledge of culture and art. We hope to change that misconception using comedy as a means to expose audiences to the magic of dance.
Those who love ballet will certainly see the choreography and skill of the dancers that’s expected in a traditional ballet.”
Trevino continues; This is a family friendly show. If you have never been to the ballet come out and join us, you will have a great time. If you have seen ballet, don’t miss this! You will have a deep appreciation for what you see and will have a great laugh at the same time. Also, we will be doing selfies after the show! We want to meet our audiences.”
Men In Tutus will feature the following:
Pas de Quatre
Pas de Deux, Le Corsaire
A parody of George Balanchine’s choreography, Go for Barocco
From the thrilling pirouettes of the male dancers (in male and female costumes) with brilliant choreography to the side-splitting humour, all presented in specifically-designed lavish costumes, Victor Trevino’s Men In Tutus is a show designed for the whole family!
Tickets for the Johannesburg season range from R200 – R400 and Bookings are through Computicket.
Men In Tutu Performances: at The Teatro, Montecasino
Friday 12 April at 20h00
Saturday 13 April at 15h00 and 20h00
Sunday 14 April at 15h00
Follow Les Ballets Eloelle on Social Media:
Facebook : https://www.facebook.com/MenInPinkTights/
Instagram : balleteloelle
Twitter : @balletEloelle
Follow Ticket to the Moon Management on Social Media:
Facebook : https://www.facebook.com/thetickettothemoon/
Instagram : tickettothemoon6
The James Morrison SA concerts are just two weeks away and local promoter, Showtime Management is pleased to announce an extra concert on Thursday, 24 January 2019 at Montecasino’s Teatro. Tickets are on sale at Computicket. Adding local talent to the evening of soulful music is multi-cultural band, the “Stone Jets” who are touring with James Morrison as his supporting act for this singer-songwriter’s first-time performances in this country.
Brought to you by 5FM Legends the three-city concert tour begins at Montecasino’s Teatro with 8pm concerts on Tuesday, 22 January, Wednesday, 23 January and now Thursday, 24 January thereafter moving to Cape Town’s Kirstenbosch Garden for one concert only at 7pm on Saturday, 26 January 2019. Johannesburg concert tickets are on sale at Computicket and Cape Town tickets at Webtickets. With limited tickets still available, fans are encouraged to book soon to avoid disappointment.
Cape Town’s Stone Jets is the result of a musical partnership between bassist and vocalist Given Nkanyane and guitarist Manfred Klose. Five years on, the duo has become a trio with the addition of drummer Eduan Joubert. Known for their original sound Stone Jets create toe-tapping music, wrapped in soul and traditional elements.
Given and Manfred released their first EP “River” in 2014. The band’s second release, “What I Say” (released in 2016), was preceded with a lyric video for the first single off the EP, “Hurricane”, which critics described as a “lively, foot-tapping summer single”. Formed in 2013, songs from the trio’s first two EPs have been featured on national television and playlisted on commercial, campus, community radio stations across the country. They’ve played all of South Africa’s major festivals including Oppi Koppi as well as a host of venues such as the V&A Waterfront as they continue to grow their fan base wherever they share their sound.
“I’m looking forward to meeting the Stone Jets and to touring with these local lads. I am super excited to be playing my first gigs in a while in South Africa. I can’t wait to be on stage in Johannesburg and Cape Town, not long to go now!” says James Morrison who previously supported both Bruce Springsteen and Stevie Wonder.
The 34-year-old singer-songwriter has sold 7 million copies of his four albums and performed five world tours. This year Morrison is releasing a brand-new album, recorded at British Grove and Metrophonic Studios and produced by Mark Taylor (Lady Gaga, Nelly Furtado, Kylie Minogue). The album sees the return of James Morrison to his soulful best.
Start counting down the days until James Morrison and the Stone Jets are on stage in Johannesburg and Cape Town brought to you by 5FM Legends. Tickets for the Montecasino concerts are available at Computicket service centres or by calling 083 915 8000 or on line at www.computicket.com. Tickets for the Cape Town concert are available from Webtickets. Computicket and Webtickets are the official ticketing partners for James Morrison, and tickets should ONLY be purchased from these ticketing agents. James Morrison – once heard, never forgotten.
Johannesburg: Montecasino’s Teatro
8pm – Tuesday, 22 January; Wednesday, 23 January; Thursday, 24 January 2019
Cape Town: Kirstenbosch Botanical Garden
7pm – Saturday, 26 January 2019
Johannesburg: Computicket by calling 0861 915 8000,
visit www.computicket.com or visit your nearest Computicket service centre.
Cape Town only: Webtickets, www.webtickets.co.za
Johannesburg: R400, R500, R600, R700, R850 Cape Town: R650
MONTECASINO GROUP HOSPITALITY PACKAGES:
(20+ tickets) email@example.com or 011 367 4250
Back by popular demand, Joburg Theatre is proud to present Woza Albert! by Percy Mtwa, Mbongeni Ngema and Barney Simon, on The Fringe Theatre stage from Friday 1 June – Sunday 17 June.
Woza Albert! will always remain as one of the most vibrant examples of satirical anti-apartheid South African Theatre, demonstrating innovation and creativity during one of the most pivotal and ground-breaking periods of theatre in this country.
Woza Albert! is still a relevant story today, which is why it’s a school set-work in the South African GDE school curriculum, and therefore essential viewing for learners. The theatre piece offers a great tool for audience development while assisting with the school curriculum. The play portrays so much truth and clarifies a simple approach to the human condition, therefore making it continually relevant to South Africa.
Segomotso Modise and Hamilton Dlamini play the roles of various black South Africans – a vendor, barber, domestic worker, manual labourer and soldier – each receiving the news that Christ (Morena) has arrived in South Africa, where they live under a Calvinist, white elite imposed apartheid.
2018 SAFTA award winner for Best Actor – TV Soap/Telenovela, Hamilton Dlamini, had a starring role as bumbling private investigator TT in the Mzansi Magic comedy series Boomba and TT, in 2012. In 2015 he had a starring role as Mnqobi Simelane, a self-made man in his 40s who is in a polygamous marriage with two wives and a possible third, in the e.tv drama series Umlilo.
Segomotso Modise started his theatre career in 2005 starring in a production titled ‘Question Mark’ which earned him the award best actor in the leading role in the stop crime drama festival. In 2014 he made his musical debut when he starred in MARIKANA – THE MUSICAL by Aubrey Sekhabi which walked away with 6 Naledi awards, and after a sensational performance in the musical he was called to star in the recent musical TAKING BACK THE FUTURE by Tshepo Ratona and Presley Chweneyagae. His television work includes an awareness ad for children and women abuse and a Guest appearance in a popular local sitcom Ga Re Dumele. His international tours include Germany, Amsterdam, Austria, Poland and the UK, with various acclaimed award winning plays like ‘Interracial’ & ‘Rocksburg’, to name just a couple.
These two theatre veterans make it easy for audiences to relate in the new South Africa, where people are desperate for a better life despite their political freedom. The parts played by Bheki and Hamilton show off their skills in acting, mime, singing and dance. They also have the unique ability to create images using a few words and actions.
The play is a political satire that imagines the second coming of Christ in apartheid-era South Africa. It looks at a wide range of characters in South Africa at the beginning of the 1980s and attacks the pass laws that prevented Black people from moving freely at the time. The production uses the metaphor of Morena (Jesus) to show what would happen if he came back to South Africa during apartheid. Would he like what he saw? And if he saw the atrocities of the time then why would he not do anything about them?
Woza Albert! will be on stage at The Fringe Theatre @ Joburg Theatre from 1 – 17 June 2018.
There are morning performances on Tuesdays, Wednesdays and Thursdays at 11h00.
Fridays and Saturdays at 20h00.
Sundays at 15h00.
Ndumiso Lindi and Tumi Morake have added three new cities to their ‘Married…But Not To Each Other’ Tour
“They’re in it together. Not Together-Together, But Together…”
Whilst travelling on one of their hilarious adventures, comedy’s modern traditionalist, Ndumiso Lindi together with comedy’s bad momma, Tumi Morake were asked by a customs official: “Are you married?” Ndumiso quickly replied: “Yes”, realised what he was saying and added: “But not to each other.” And thus began the comical journey for this wife and husband … of other people.
Now they’re taking their rib-cracking, side-splitting new stand-up show, ‘Married…But Not To Each Other’ across South Africa and into Africa. Following a successful debut show in Menlyn (Pretoria) and two sold-out shows in Cape Town, new dates have been added in Botswana, Krugersdorp and Nelspruit, in addition to their official launch show on April 14 at the Lyric Theatre, Gold Reef City in Johannesburg.
It’s a hilarious take on the roles and regulations of marriage and the pothole-laced roads the sexes have to navigate. It’s not just about marriage. It’s also about the world that these marriages have to survive in.
Ndumiso Lindi, the gentleman of South African comedy (otherwise known as Roosta), effortlessly blends new-age style with old-school traditions. His deep voice, soul-warming smile, booming laughter, original content and seamless delivery make for a comedy act that is outstanding and soulfully South African.
With a comedy career spanning over 11 years and numerous outstanding credentials under her belt, Tumi Morake continues to be a formidable force in the comedy industry. Her edgy and unpredictable brand of comedy has wowed audiences around the globe. When she’s not on stage, Tumi Morake can also be seen on TV screens hosting WTFTUMI and Point of Order as well as channelling her seemingly endless talents into writing, acting and producing.
3 March – Protea Hotel Fire & Ice (Menlyn)
9 March – Protea Hotel Fire & Ice (Cape Town) [SOLD OUT]
10 March – Protea Hotel Fire & Ice (Cape Town) [SOLD OUT]
14 April – Lyric Theatre, Gold Reef City (Johannesburg)
5 May – The Grand Palm Hotel (Gaborone, Botswana)
26 May – Silverstar Casino (Krugersdorp)
27 July – Emnotweni Casino (Nelspruit)
Tickets are available through Computicket (except for Botswana where tickets are available directly through the venue). Visit www.computicket.com or at a Computicket outlet near you. ‘Married…But Not To Each Other’ carries a PG16 age restriction.
Proudly brought to you by Blu Blood (www.blublood.com @BluBloodSA).
Connect on social media:
Facebook: TumiMorakeSA, NdumisoLindi or Twitter: @tumi_morake, @NdumisoLindi
HOP ON THE BUS TO FABULOUS!
From the minute the curtain goes up and the cast of Priscilla Queen of the Desert launches into their enthusiastic, energetic opening number: It’s Raining Men – complete with 3 sparkly, shimmering Diva’s suspended above their heads – you know you’re in for a helluva ride! And that’s exactly what you get when you take your seat for this proudly South African production that takes you on the journey of a lifetime across the Australian outback.
In case you don’t know, this is the touching story of three drag queens who travel across Australia on a rather decrepit bus, which they fondly name Priscilla, Queen of the Desert. On their journey they discover the true meaning of friendship, love and unfortunately also meet up with the animosity that accompanies those who have no understanding of anyone or anything ‘different’. It’s a timeless tale of how strong bonds are formed, how hatred and derision continue to exist despite the advances that we think are being made, and how ultimately we all have the need to be accepted for who we are, regardless of our differences.
Daniel Buys is perfect in the role of Tick (Mitzi); delightfully up-beat, while seamlessly able to shift into a more restrained, reflective mood when his role requires it. And it’s certainly needed as he secretly has more than one reason to be schlepping around the
outback in a broken-down bus! He ropes in flighty Adam (Felicia) to join him on his mission, and Felicia has a goal of her very own. Apart from just wanting to have a good time, she’s always wanted to belt out a Kylie number on top of Ayers rock, because who doesn’t love the thought of ‘a cock in a frock on a rock’! Phillip Schnetler camps up the role with spot-on, screaming hilarity (and a touch of Jack from Will & Grace)! The trio is complete with dignified, slightly aging transsexual Bernadette who feels she’s possibly past her prime, but willing to go out with a bang (so to speak!). David Dennis plays the role with gracious grandeur, back-biting as wickedly as any self-respecting old queen would! And I just have to add here, out of these three, I just can’t decide who has the best pair of legs … they’re all to die for!!
Mentions must go to the all too fabulous, stupendously over-the-top Miss-Understanding, Tshepo Ncokoane; Candice van Litsenborgh who hams it up as the most hilarious mullet ever, complete with humungous boobs bouncing all over the stage (almost); Chantal Herman as a cheeky mail-order bride who’s sick and tired of being overlooked; and last but most definitely not least, veteran actor, James Borthwick who plays the simple, but simply adorable, big-hearted mechanic, who might just have more to him than meets the eye.
Ultimately though, producers Hazel Feldman and Tony Feldman of Showtime Management have put together a cracker of a team who have have masterfully overseen all the minutiae of this show, ensuring that they collaborate perfectly to make it the glitter and glitz extravaganza that it is. Director Anton Luitingh keeps things crisp, smart and snappy and technical director Alistair Kilbee oversees the constant ebb and flow of the pizazz that abounds throughout. Resident choreographer, Duane Alexander ensures (I have no clue how) that the 28-strong cast gets every step in synch, in heels nogal! Brian Schimmel, one of SA’s top music directors leads the 9-piece orchestra through numerous well-loved numbers (I Say a Little Prayer, Don’t Leave Me This Way, True Colours, I Will Survive … and many more) that will have audiences singing at the top of their lungs, not only during the show, but when they leave too!
And as for the costumes … the headdresses, the shoes … they’ll simply take your breath away! There’s so much colour, so much to look at … it’s a feast for the eyes and an extreme celebration of the imagination!
Best of all though is the utter enjoyment that shines from the face of each and every cast member. This is a show that begs for an audience, and has audiences begging for more
Priscilla Queen of the Desert is a must-see. It’s fabulous fun, thoroughly entertaining, and if you don’t walk out of that theatre with a huge smile on your face, then you lied and didn’t actually see the show!
It’s on at the Teatro, Montecasino until 18 June, 2017.
BOOKINGS: Computicket by calling 0861 915 8000, or visit www.computicket.com
This musical contains some strong language and adult themes, therefore parental guidance is recommended for children under the age of 12
With Special Guests Joe Nina, Sipho ‘Hotstix’ Mabuse and Ladysmith Black Mambazo
HOSTED BY IKUSASA (Ikusasa Arts Development Projects)
2 shows only : Saturday 29 April at 19h00 and Sunday 30 April at 13h00 on The Mandela Stage at Joburg Theatre
This promises to be an unforgettable 2-hour show of pure nostalgia, with Kekana delivering all his hits from the start of his career back in 1978, to date.
Kekana lost his eye sight at the age of five, but has never let this stand in the way of fulfilling his dream. This concert aims to entertain and inspire those living with disabilities or who face challenges which may be regarded as stumbling blocks towards fulfilling their dreams. This is the reason for show’s title: Iphupho the Dream.
Kekana has over 20 albums to his credit and is one of the few artists who has managed to cross over varying genres, from Mbhaqanga, to Pop, Gospel and Soul. His decision to not confine himself to a single genre was frowned upon at the outset as it was believed that he would not be able to sustain a fan-base. But he proved his critics wrong and dispelled all myths about cross-genres, as to date he is amongst the most loved and respected local musicians of his time.
In the past, Kekana has also collaborated and featured on various songs with some of South Africa’s greatest musicians such as Joe Nina, PJ Powers, Soul Brothers, Ladysmith Black Mambazo and the late Nana Coyote. His unique and high range tone have always made him stand out from the crowd.
Born in 1958 in Zebediela, Limpopo, Kekana lost his sight at the tender age of five, and attended a school for the blind in Pietersburg. During his school years, he nurtured his love for singing, and was a member of amateur groups.
In 1979 and 1980, Kekana won what was then known as the “SABC Black Music Award” for Best Male Vocalist. Further awards followed, with the singer taking the “Top Male Vocalist” award on Radio Zulu, and being the runner-up on the Tswana and Sotho Radio Stations.
Since 2001, he frequently collaborated with fellow vocalist Nana Coyote, and his links with a younger generation were solidified through his association with singer / producer Joe Nina, who produced his most recent album “African Lady”. Kekana, Coyote and Nina regularly appeared on stage together, and recorded under the name “The Trio”.
Kekana holds a B Juris and LLB degrees, and has written on Intellectual Property from the perspective of a songwriter.
ABOUT THE PRODUCER
Simphiwe Majozi, an actor on the SABC 1 telenovela Uzalo, will be hosting and producing this first ever tribute concert to Steve Kekana.
Majozi, who plays the role of a ruthless criminal known to many as Sbu on Uzalo is also a director of Ikusasa Arts Development Projects (“Ikusasa”). The organisation focuses on developing and uncovering new talent, whilst celebrating artistic legends and icons in the music industry. He believes that young and old in the entertainment industry can have a mutually beneficial relationship, learning and growing from each other.