Save the date! Showtime Management’s 10th Anniversary Production of RENT IN CONCERT takes place at Montecasino’s Teatro on Monday, 15 May 2017 at 8pm. Tickets are now on sale at Computicket. Presented by Showtime Management, this celebratory one night fund-raising concert features the much loved iconic and popular numbers from the stage production of RENT including Seasons of Love, Out Tonight, Without You, Will I and Take Me Or Leave Me performed by the original South African cast who reunite especially for this concert. They last performed together to rave reviews in the Tony and Pulitzer Award winning musical production of RENT, produced by Showtime Management ten years ago at the Alexander Theatre in Braamfontein and then Artscape, Cape Town.
I confess, I’m an official Renthead! From the first time I saw the show onstage at The Alexander Theatre I was hooked! So maybe I arrived at the Rent party a little later than others – but at least I got there, and I never left!
“One is tempted to return just to relive the glorious music,” raved the Tonight on 20 July 2007 and now “Rentheads”, fans of the musical and theatre-goers are invited to take this once-in-a-lifetime opportunity to enjoy RENT IN CONCERT. Based loosely on Puccini’s La Boheme, the musical production of RENT follows a year in the life of a group of impoverished friends struggling to make it in New York’s East City Village as they struggle with relationships, drugs, loss, love, creativity, HIV/AIDS and paying their “rent”. This concert version presents the entire score sung and performed with minimal staging. It’s all about the music, the songs and the strength of the beautiful voices that will have audiences singing along or sitting mesmerized, longing for more. All proceeds go to HospiceWits whose “no end to caring” motto resonates with RENT’s themes of love, losing a loved one to a terminal illness, friendship and support. The music and lyrics written by Jonathan Larson performed by the South African cast tell the touching story though song.
“HospiceWits has provided the highest quality of care and support to hundreds of thousands of hopeful patients and families affected by life threatening illnesses in Johannesburg over the past 38 years. The funds provided by this event will be used for the continuation of that care in our compassionate environment which enables patients to feel supported and encouraged on the journey of life threatening illness.” says Joy Ruwodo, Marketing Manager, HospiceWits.
The cast is passionate about the concert and eager to give of their time to support HospiceWits. All the 2007 leads – including Shaun V who is flying in from Dubai – and some from around the country, sees Duane Alexander, Aubrey Poo, Zane Gillion, Thokozani “Zano” Nzima, Talia Kodesh, Sivan Raphaely and Ilse Klink together with fellow cast members Chantal Herman, Jaco Van Rensburg, Anton Luitingh, Megan Victor-Carelse and Lorri Strauss on stage on 15 May. New to this staging will be Phillip Schnetler and Nicholas “Nicksoul” Nkuna, who are looking forward to joining the original performers.
What started as a light-hearted Facebook chat about getting together for the 10th Anniversary of RENT is now becoming a reality. Hazel Feldman and Tony Feldman of Showtime Management, the original producers of RENT are lending their full support to RENT IN CONCERT and Montecasino, the concert host is providing the Teatro as the concert venue. Technical companies Gearhouse Splitbeam, ProSound and Computicket have donated their services while Music Theatre International New York and the Jonathan Larson Estate has waivered performance royalties, therefore greatly assisting in raising funds for Hospice Wits.
The concert also reunites the 2007 creative team of choreographer Jill Somers with Anton Luitingh and Duane Alexander who will recreate their performances in RENT as well as co-direct the concert version. Music Supervisor, Bryan Schimmel will once again, lead the band.
“Rent radically changed the Broadway musical in the 1990’s, so in keeping with our vision to continually provide world class entertainment that is unique to our venue, the Teatro at Montecasino is thrilled to be hosting this once off event to raise money for a very hardworking organisation such as Hospice Wits” Bryan Hill, General Manager, Teatro
No day but TODAY! Tickets for this one night only concert are limited and patrons are encouraged to book at Computicket as soon as possible. #RentConcertSA
BOOKINGS: Computicket by calling 0861 915 8000, visit www.computicket.com or visit your nearest Computicket service centre.
Fall in love with nature, art and the blues in the Cradle of Humankind this Valentine’s Day
On Sunday, the 12th of February 2017 NIROX Sculpture Park, in association with Caleo Wealth Management, MINI and the Cradle of Humankind World Heritage Site, invite you to celebrate Valentine’s Day with that special someone with a collection of South Africa’s finest Blues’ musicians, surrounded by the serene beauty of the NIROX Sculpture Park.
The exciting line up of musicians include:
– Albert Frost
– Gerald Clark
– Ann Jangle
– Gunshot Blue
– Tidal Waves
– Manny Walters
The spectacular surroundings of NIROX Sculpture Park offer an oasis in which to enjoy a day of leisurely romance.
One can also take a romantic walk around this scenic venue to view the beautiful art and sculptures on display.
Delicious, healthy and locally sourced cuisine, courtesy of the Epicurian Emporium – a collective of high-end diverse food traders – will be available for purchase. The curated bar will offer champagne, wines, lavish cocktails and local craft beers for those wishing to toast this special day.
Lovers and friends are invited to enjoy a day of fine food, Blues legends, nature and art.
Co-producer of the acousticsNOW concert series at NIROX, Lloyd-Anthony Smith is excited to be hosting this event, following the previous 2 successes. I had the opportunity to pose some questions to him.
How did the ‘Valentines Blues’ idea originate?
Our music programme consists of various different genres – folk, jazz, classical, roots, instrumental guitar – and we had always wanted to host a blues concert: thus Valentine’s Blues was born. A celebration of Love and the Blues. Often two closely related topics.
And from there … how long until the actual event came into being?
Due to our now established music programme, once we have a new idea/theme/concept we are generally able to produce the concert easily from there. By way of example we hosted our first ever opera at NIROX Sculpture Park last month; Mozart’s ‘Don Giovanni’ was performed in our outdoor amphitheatre.
How did you go about finding such a beautiful, perfect venue?
I see NIROX as a great gift to the World. The Foundation exists to foster the arts and hosts various sculptors, painters, poets, photographers, dancers, musicians, etc from all corners of the globe. NIROX Sculpture Park is a curated space of undulating lawns, meandering waterways and dams and large-scale contemporary sculpture neatly nestled in the Cradle of Humankind.
Why Blues? Why not Jazz … many would argue that it’s just as romantic?
Apart from already having a successful springtime jazz concert ‘Jazz in the Cradle’, Love and the Blues are often entangled in each other. But all musical genres carry a degree of romanticism.
How do you source your participating musicians, or do they request participation?
We look to foster young musicians who we believe should be given the opportunity to perform to a discerning audience. Added to that we also host more seasoned professionals but encourage/challenge them to perform in different formats to their usual set-ups. This balance sets the tone and flow for the day.
Any plans to do ‘Valentines Blues’ in any other cities?
Valentine’s Blues has its home at NIROX…
Why in Joburg? (Not that we’re complaining AT all!!!)
Thanks entirely to the pristine surroundings of NIROX Sculpture Park in the and the Foundation’s kindness in allowing us to host this programme on their premises.
What can people expect when they come to this year’s event if they’ve never been before?
Guests can look forward to a glorious day of Music, Food, Art & Nature in the Cradle of Humankind. Gates open at 10h00 with the music programme commencing at 11h00. Epic festival cuisine will be on offer courtesy of the Epicurean Emporium, as well as other accoutrement including champagne, cocktails, a Bombay Sapphire gin & tonic bar, oysters, desserts, artisan ice-cream, coffees, etc. The festivities conclude around sunset.
And if those attending have attended either of the previous 2 Valentines Blues events, are there any surprises in store? Anything new on the program?
Somewhat ambitiously we are hosting NIROX’s largest-ever artists residency in the preamble to the concert. We have invited the entire line-up to stay at NIROX for the 2 days preceding the concert for a chance for the artists to engage, collaborate and rehearse for Sunday.
In addition, we have invited additional instrumentalist to supplement each set by way of cello, flute, saxophone, harmonica, keys, bass, lapsteel slide guitar and voice to create an entirely unique production.
What’s the over-riding message you’re trying to convey with your event?
The event is first and foremost a showcase of the invited artists. This access to the arts, coupled with a beautiful natural environment and curated food and beverage selections, creates a space for guests to enjoy and engage in the experience.
What you’ll need to know:
Gates open at 10h00.
Tickets are available for online pre-sale from www.acousticsnow.org at R330.
Tickets for sale at the gate at R360 – subject to availability.
Kindly note no food or drinks allowed on the premises, these may be bought on site.
Bring a picnic blanket for your comfort and allow NIROX Sculture Park to host you and your special person.
Attendance is restricted. Right of admission reserved.
Tickets for children under 12 are R165 online and R180 at the gate.
Infants aged 2 and under enter free of charge.
(While children are welcome, parents are required to ensure that they do not disturb the performance).
Faircity Roodevallei hosts Nianell and Gauteng Opera
Faircity Roodevallei in Pretoria has planned the perfect date for couples to celebrate Valentine’s Day. On Saturday 11 February 2017, they will host the inimitable Nianell, accompanied by the Gauteng Opera. Dining options offered by the hotel include a picnic basket or a summer finger fork buffet.
Guests will enjoy the afternoon in a peaceful setting on the banks of the Pienaar’s River, listening to the captivating voice of Nianell – a world-class, platinum-selling, international artist and proud South African success story. Nianell has shared the stage with artists like Christina Aguilera, Westlife, Diana Ross and Shakira. In 2010, she performed with the legendary Italian tenor, Andrea Bocelli, at the Celebrate Africa event held during the FIFA World Cup.
With the mission of wanting everyone to experience the joy of Opera, the Gauteng Opera will bring an air of elegance and sophistication to the afternoon. South Africa has incredible talent, and the Gauteng Opera takes great pride in identifying and nurturing individuals to deliver riveting operatic performances.
The romantic rendezvous does not need to end after the concert! Accommodation can be booked at Faircity Roodevallei, including a leisurely breakfast the following morning. There is also the option of booking a serviced apartment at Faircity Grosvenor Gardens.
– Concert ticket R180.00
– Picnic Basket for two R375.00
– Summer finger fork buffet R155.00 per person
Once again, it’s panto season, which means Christmas and the silly season are upon us … the most wonderful time of the year! And for the 29th time, Janice Honeyman presents us with her year-end pantomime. This year, it’s a brand new offering … Robin Hood and the Babes in the Wood. Partnering once again with producer Bernard Jay, this is a bit of a mash-up of stories, all merged together to create an absolutely delightful couple of hours where audiences can immerse themselves in sheer fantasy and fun!
Izak Davel (currently playing hunky Bradley Haines on our small screens in Isidingo) makes his panto debut as the well-meaning Robin Hood. He hangs out in the forest with his band of Merry Men (they’re ‘butch’!), and doesn’t seem to realise that pretty Maid Marian, played by the beautiful Carmen Pretorius (also Bradley’s love interest, Tiffany in Isidingo) is trying to catch his eye. She’s not too phased though, she’s far from a damsel in distress, until the evil Sheriff of Rottingham, errrm, sorry, Nottingham, decides to claim her as his latest conquest! Gasp! Renowned stage and screen actor, Graham Hopkins throws himself into the role with gusto … and hilarious results.
Meanwhile the Sheriff’s evil sister-in-law, played with true panto elegance and style by LJ Urbani, is plotting to do away with her down-trodden husband’s two kids, Tokkel and Tina (actually Hansel and Gretel, but this is Mzansi you know!). And while Robin Hood and crew are foraging the forest looking for people to rob (only rich people, so they can give to the poor, you understand, and no weapons allowed), they come across Much the Miller’s son, enthusiastically portrayed by Candida Mosoma, who so impresses the butch boys with his ability to defend himself (and his donkey) that they invite him to join their merry little band.
Keeping the storyline together is the marvellous Kate Normington as Silly Sylviana, the Spirit of the Forest. Amusing, clumsy, kind, caring and just a little bit bossy when she needs to be, Sylviana lets us know what’s what, who’s who, and pretty much makes sure that everything in her Forest is running according to plan. If that plan fails, she has a firm Plan B as part of a girl band with Pretorius and Mosoma – they’re a helluva of a team, and boy, can they belt out a tune!
This panto doesn’t let up for a minute, moving along at a cracking pace. It’s vibrant, it’s glitzy, it’s dynamic and it’s 100% on trend politically and musically, with a nod being given to most of the current fads doing the rounds – as one has come to expect. Honeyman and Jay once again prove they’re a formidable team and watching their cast being put through their paces only goes to show that they don’t make their choices lightly. Davel has all that’s required of a panto leading man: his almost effortless delivery, paired with a slightly quirky, comical manner, not to mention the voice and the moves to go with it all ensure he’ll be a hit as Robin. Desmond Dube, Phumi Mncayi and Bongi Mthombeni are all pure gold in their roles, elevating the level of humour here to something of an entirely superior nature.
The ensemble of this production is a troupe of seasoned performers, and it shows. They’re polished and peppy; smart and sassy. The energy flows easily, and one can’t help but get caught up in the rhythm of it all.
Mention must be made of Musical Director, Rowan Bakker – you’ll notice (because of course, you’re going to see the show) that there are a lot more musical numbers in this panto than in previous ones. So it goes without saying that the musical director had a hand in all the extra arrangements, and is a lot busier than he’d usually be! He’s done a sterling job. The band’s contribution to the superb nature of this show is unquestionable.
I also need to comment on the incredible sets and the absolutely magical use of lighting. The sets themselves are spectacular, but Graham McLusky has created pure enchantment in some of the scenes, which transport the audience into a true fairy-tale land. It’s quite captivating.
I highly recommend this year’s Pantomime. It’s first-rate entertainment and escapism. Book your tickets, go along and just lose yourself in it for a little while. That’s what it’s all about. They don’t call it magic for nothing!
PLEASE NOTE: All photo’s were taken during a rehearsal, and not during an actual performance. Please always be considerate to the cast and your fellow theatre-goers. DO NOT take photo’s, recordings or video’s during the show.
GETTING TO KNOW SOME OF THE CAST OF ROBIN HOOD AND THE BABES IN THE WOOD
Theatre is many things to many people: smoke and mirrors to some, a means of political and social rhetoric or commentary to others. But there’s no doubt that when it comes to Pantomime, it’s pure magic! There can be no doubt as to the intention of pantomime … it’s there to entertain the audience, whether young or old, and it needs to cater to a wide spectrum of fans. This is the 29th time that Janice Honeyman will be doing just that. She’s the unrivalled master at writing scripts that delight all who see her shows, incorporating just the right balance of slightly risqué fun for the adults, and good-natured humour for the kids. Together with Bernard Jay, this team has a sure-fire approach that ticks all the boxes for the ultimate in excellent entertainment.
And part of that approach is ensuring they have the right people for the job! This year’s pantomime is the all-new Robin Hood and the Babes in the Wood, a mash-up of the old Robin Hood tale (he stole from the rich to give to the poor … I’m sure our brains are all in overdrive as to how this is being applied to current SA news stats!), and the story of Hansel and Gretel coming to visit the evil witch … errrrm, their not-so-nice uncle, the Sheriff of Nottingham. And who better to play the dashing, daring, darling Robin Hood than Izak Davel, currently better known as arrogant Bradley Haines in Isidingo? Every hero needs a sidekick, and in this case there’s a group of merry men led by the jolly Little John – Phumi Mncayi.
I was interested to get to know the people behind the magic a little better, so I recently met with Izak and Phumi to find out who these guys really are, and what special sparkle they have that makes them perfect for their roles. I got a bit more than I bargained for as some extra laughs were thrown in by Desmond Dube (Friar Tuck), who was keen to join the action. I can honestly say I don’t remember the last time I spent such an enjoyable hour in the company of such down-to-earth authentic guys, who genuinely love what they do!
Izak tells me that he’s “just a laatjie who grew up in a dorpie in the Eastern Cape who just wants to enjoy life.” He’s happiest when he’s spending time with his wife, or walking his dogs. I’m openly incredulous, and beg him to tell me how on earth he landed up in the acting industry! Well, he initially wanted to be a rugby player, but due to damaged knees he took up ballet as a means to strengthen them. Realising his dreams of rugby-playing fame and fortune had been thwarted, he was thinking of becoming a physiotherapist or a biokineticist – you know, down to earth stuff! But he then went on to study musical theatre at TUT, and the universe, as they say, obviously had different plans for him!
His first theatre role was in 2004, in a Pieter Toerien production of ‘Joseph and the Amazing Technicolour Dreamcoat’. He’s already recorded one studio album, and will be back in-studio in January to begin recording his second, signed under SNP (Snyman Musiek Produksies). He strongly believes that in the industry, at this point in time, you most definitely need to be a triple threat (i.e. you need to be able to sing, dance and act – usually all at once!), in addition to having some other sort of business interest on the back-burner to sustain you financially. He’s level-headed and under no illusions of glitz and glamour!
It’s inevitable that we chat about his role in Isidingo, which he hopes to continue into next year, and his participation in one of our local seasons of Celebrity Survivor where he became (in)famous for wearing nothing but a red speedo most of the time! I ask if it was a publicity stunt and he tells me it wasn’t. It all came about purely because he was being the perfect gentleman. Cindy Nel needed a pair of shorts so he gallantly gave her his! He jokes that his mom always taught him to have manners!
Of course we chat about his participation in ‘Robin Hood’. It’s his first panto role and he’s thoroughly enjoying it, anticipating the interaction that the cast gets from an excited audience, especially the school-kids, many of whom have never seen live theatre before.
Phumi joins us, at which point Desmond chirps loudly from the table next to us that he’s most upset that I’m only chatting with the ‘pretty boys’! I tell him they may be pretty but he’s beautiful! Much laughter ensues before we continue. He’s actually busy with his own separate interview! I promise there’s no favouritism here!
Having been part of the cast of Bernard Jay’s recent production of Saturday Night Fever, already having been cast in Jay’s 2017 production of The Color Purple, and having worked with many of the current cast before, Phumi feels very strongly about the loyalty that exists between directors, producers, and their cast members. “The people make the show,” he says. “The synergy between them is what makes it all come together. Without that, there’s nothing.”
Once again, as with Izak, I’m humbled by the complete lack of affectation this man has by the industry he works in. He’s an outgoing, fun family man who proudly tells me that his wife and small son are his prized possessions and motivators, his entire reason and purpose for being. He sums it up by saying “You can lose yourself in the illusion of what you do. People need to ground you.”
For a final laugh, I ask them both which Superhero they’d be, given the chance. Actually I don’t get the chance to ask Izak because he’s guessed the question before I’m even halfway through asking it and immediately assures me that he would be Wolverine! When asked why, he replies, “because he’s tough, funny, strong and he protects.” Clearly 4 traits he associates himself with!
Phumi, on the other hand thinks for a couple of minutes, and then tells me he’d like to be Ant Man!! After I’ve finished falling over myself laughing, I pull myself together enough to reply that I’ve never heard of him. They’re both amazed! (No, really!) Unsurprisingly (I suppose, after that reaction!), I then got an in-depth tutorial on Ant Man: who he is, what he does. Ant Man views the world from the bottom up, and that’s something Phumi would like to do!
As for what they would consider to be their ‘theme songs’. No surprises when Phumi decides on ‘People who need People’, and Izak takes ‘He Ain’t Heavy, He’s My Brother’.
And finally it’s time to send them back to rehearsals, knowing undoubtedly that this year’s pantomime is going to be one whole bundle of fun if they have anything to do with it! And with all that laughter, it’s going to weave that magical spell as it always does, bringing delight and enjoyment to all who see it.
Make sure you’ve got your tickets booked. Robin Hood and the Babes in the Wood opens this week at the Joburg Theatre and the fun continues until 30 December. Book through the Theatre at www.joburgtheatre.co.za or 0861 670 670, or you can book at Pick n Pay Stores and WebTickets.
A BRAND NEW PANTOMIME ADVENTURE
FROM JANICE HONEYMAN
Riding through the royal forest of Sherwood on a glorious May morning, you don’t have a care in the world. Then you hear a bird call, the faint rustling of trees, and suddenly a man armed with a longbow appears in your path. He wears a feathered cap, or is that a hood? You can’t see the man’s face clearly, but you don’t have to. He is dressed in Lincoln green, the colour of Robin Hood – the most famous English outlaw of all time.
The earliest surviving Robin Hood ballad, Robin Hood and The Monk, dates from the 15th Century. Subsequently, the legend has become one of the most popular movie and TV stories of all time: from Robin Hood and His Merry Men, a 1908 silent film; to British television’s long-running series The Adventures of Robin Hood (1955-59); to 1973’s Walt Disney’s Robin Hood; to Mel Brooks’ hilarious Robin Hood: Men in Tights (1993); and to the 2010 movie Robin Hood, directed by Ridley Scott and starring Russell Crowe.
And now comes Janice Honeyman’s brand new pantomime adventure, Robin Hood and the Babes in the Wood, on the stage of The Mandela at Joburg Theatre from November 5th to December 30th 2016.
The plot combines the babes-lost-in-the-forest story with the Robin Hood legend. The young children, Hansel and Gretel, come to visit their uncle, the Sheriff of Nottingham, little suspecting that he is plotting their demise. But never fear, help is at hand – in the shape of Robin and his Merry Men, plus Maid Marian and the Spirit of the Forest!
Playing the role of Robin in his first Joburg Theatre pantomime is Izak Davel, best known to TV viewers as Isidingo’s arrogant Bradley Haines, and whose hit recordings include Verlei My, Is Jy In Of Is Jy Uit and Vreesloos.
Much loved panto star Desmond Dube returns to Joburg Theatre to play the jovial Friar Tuck, Idols finalist Bongi Mthombeni features in his fifth Joburg Theatre pantomime as the dandy Will Scarlet and leading lady of South African musical theatre, Kate Normington, will surely be wildly comic as Silly Sylviana, the Spirit of the Forest!
Also featured in Robin Hood and the Babes in the Wood are Graham Hopkins as the villainous Norman the Nasty, Sheriff of Nottingham, L J Urbani as the ever-popular panto Dame Emmarentia Ugly, Phumi Mncayi as chief lieutenant of the Merry Men, Little John, award-winning actress Candida Mosoma as Much the Miller’s Son (written with an inevitable panto twist!), beautiful Carmen Pretorius as Robin’s love interest, Maid Marian, and Jaco Van Rensburg as the wandering minstrel, Alan-a-Dale.
Joining them in the all-South-African cast are, in alphabetical order, TeeKay Baloyi, Darius Engelbrecht, Clive Gilson, Nuritt Graff, Kyra Green, Dirk Joubert, Dolly Louw, Yamikani Mahaka-Phiri, Tsepho Ncokoane, Noni Nkonto, Dale Scheepers, Natasha Van Der Merwe and Maryanne Van Eyssen.
“It’s an exciting year for us when Janice Honeyman writes a brand new pantomime script,” says Bernard Jay, Executive Producer of the panto. “We don’t know exactly what to expect until the last minute, but we do know it will be full of her magical flair for story-telling, spectacular special effects, zany comedy and outrageous double entendres!”
Writer / director Janice Honeyman collaborates with producer Bernard Jay on their sixteenth Joburg Theatre pantomime together. Rowan Bakker joins the team this year as musical director; Nicol Sheraton returns as choreographer; the eagerly anticipated, over-the-top, fabulous sets and costumes are once again supplied by Qdos in the UK; the lighting design is by Graham McLusky; sound design by Trevor Peters; and Timothy Le Roux is the resident director. As with many past successful pantomime productions at Joburg Theatre, Claire Pacariz and Simon James serve as associate producers.
Robin Hood and the Babes in the Wood has preview performances on The Mandela stage at Joburg Theatre on November 5th and 6th with tickets from R170. Its official Opening Night is scheduled for Sunday November 6th and the season continues until December 30th, with tickets priced from R220.
Over 30,000 tickets have already been sold for this year’s panto, so best to hurry and get yours now for South Africa’s most popular family entertainment tradition. Tickets are available by visiting www.joburgtheatre.com or calling 0861 670 670, as well as through Webtickets and at Pick ‘n’ Pay stores. For group bookings of 10 or more, contact the theatre directly on 011 877 6853/6815.
For details of the full schedule and performance times, visit www.joburgtheatre.com
A journey to the heart of FABULOUS …
PRISCILLA QUEEN OF THE DESERT
The hit musical makes its SA debut with local cast.
Get ready for the musical journey of your life! The critically-acclaimed hit musical Priscilla Queen of the Desert based on the Oscar-winning hit film makes its South African premiere at Artscape, Cape Town on Tuesday, 28 March 2017. Presented by Showtime Management in association with Lunchbox Theatrical Productions and Nullarbor Productions, and featuring an all South African cast, Priscilla will be on stage at Artscape until Sunday, 23 April, thereafter moving to Montecasino’s Teatro from Friday, 28 April to 18 June 2017. Tickets are now on sale at Computicket. Hashtag: #PriscillaSA. Brought to South Africa in association with BBC First.
Priscilla Queen of the Desert The Musical originally opened in Australia in 2006 and after a sell-out two year run, opened on London’s West End followed by Broadway in New York. The show continues to wow audiences across the globe with recent return tours to the UK, Australia and New Zealand. It has won awards all over the world, including prestigious Olivier and Tony awards.
Critics the world over rave! The Herald Sun (Australia) claims the show is “Vivid, daring and over-the-top” while The Daily Telegraph (UK) sums up the show as being “hugely entertaining … insanely glitzy”.
Priscilla Queen of the Desert is a heart-warming and uplifting tale of three drag artist friends who hop aboard a battered old bus aka “Priscilla” and go off on the adventure of a life-time through the Australian Outback, to perform in Alice Springs. On the way they find friendship, love and far more than they ever dreamed of.
With a dazzling array of over 500 award-winning costumes, 200 extraordinary head-dresses and a hit parade of dancefloor favourites including I Will Survive, Hot Stuff, Finally, Boogie Wonderland, Go West, Girls Just Wanna Have Fun, and I Love The Nightlife, this wildly fresh and funny musical is a journey to the heart of FABULOUS!
Showtime Management’s Hazel Feldman says: “Priscilla is the ultimate ‘feel-good’ show. This dazzling musical has all the ingredients for a superb night out: the most wonderful costumes, outrageous glamour, music that will have you dancing in your seat and a funny yet touching storyline. No wonder this show has been such a massive hit from the West End to Broadway and beyond.”
The proudly South African, exceptionally talented 28-member cast, live band, crew and creative team will give audiences a night of unforgettable performances, nostalgic music and an entertainment experience with all the sparkle to share in Priscilla’s “fabulousness”.
The principal roles will be played by stellar stage, screen and television performers including David Dennis who has achieved prominence in leading roles from classical to contemporary and musical theatre to film and television over the past three decades (Pirates of Penzance, Starlight Classics and movies 10000BC, Winnie and Zambezia); Daniel Buys (Jersey Boys, West Side Story, Saturday Night Fever); Phillip Schnetler (Saturday Night Fever, The Wonderful Wizard of Oz) and veteran actor, James Borthwick (Sunset Boulevard, Evita and over 200 other productions).
Additional roles are played by Taryn-Lee Hudson (Singin’ in the Rain, Jersey Boys), Chantal Herman (Little Shop of Horrors, Evita, Noah of Cape Town) and Candice van Litsenborgh (Annie, Sweeney Todd, Sunset Boulevard) with Candida Mosoma (Lion King, Sister Act, Joseph and the Amazing Technicolour Dreamcoat), The Voice of SA finalist, Thembeka Mnguni (High School Musical, Grease) and Durban born Londiwe Dhlomo (Cabaret, Little Shop of Horrors, Puss in Boots) as the three dazzling Diva’s.
The ensemble features a host of multi-talented local performers including Tshepo Ncokoane (Shrek, Janice Honeyman’s Pantomime Sleeping Beauty); Zane Gillion (Sister Act, Saturday Night Fever, Dirty Dancing); Michael Fullard (Hot Mikado, Sleeping Beauty, Sneeuwitjie); Michael Wallace (Rocky Horror Picture Show, Cabaret, West Side Story); Craig Hawks (Black Sails television series, My Fair Lady); Ryan Flynn (Rocky Horror Picture Show, The Sound of Music, Jersey Boys), Samuel Hyde (Singin’ in the Rain SA, Asia and Australia/New Zealand Tour); Henk Opperman (Private Presley, Dirty Dancing the Musical SA and Asia). Fresh new talent includes Dirk Joubert, Jonathan Raath, Nadine Grobbelaar, Donae Brazer, Lourens Obermeyer and Darius Engelbrecht.
Original Priscilla international Director, Simon Phillips together with Choreographer, Andrew Hallsworth will be coming to South Africa to mount the show together with Resident Director, Anton Luitingh; Musical Director, Bryan Schimmel and Resident Choreographer, Duane Alexander.
Board the bus! Bring your “fabulousness” on this highly entertaining journey. Book now at Computicket by calling 0861 915 8000, visit www.computicket.com or your nearest Computicket service centre.
NB: This musical contains some strong language and adult themes, therefore parental guidance is recommended for children under the age of 12.
Special hospitality packages as well as Show & Stay packages available from Montecasino Hospitality & Corporate Events, (011) 3674250 or email@example.com.
Stay current on the latest news through social media on Facebook Twitter and YouTube #PriscillaSA