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Pinocchio – It’s a Real Panto!

Kanyi Nokwe (Pinocchio) 2The minute that invitation to the annual year-end pantomime hits your Inbox, your heart gives a little thump of joy … and not just because it signifies that the holidays are around the corner!

This is Janice Honeyman’s 30th pantomime, which is an achievement in itself. The fact that she continues to get it right, drawing in audiences, surprising and delighting the crowds every year, is a testament to her sheer talent and skill. She has a gift of knowing the perfect recipe to thrill her audiences, and Pinocchio, her offering this year is certainly no different. There’s just the right balance of innuendo, political lampooning and catchy tunes (both new and old) to hold the attention of all ages throughout the show. This combines with some truly eye-popping, phenomenal sets and an energetic cast who are all clearly fully immersed in the magical world they’re responsible for creating.

I’m positive that part of Janice’s ongoing ability to succeed at exciting her panto audiences year in and year out, is her own inclusive participation in the process. She’s not merely a writer and director who sits back and watches things happen statically as she’s penned it. When I interviewed some of the cast members during the rehearsal process, the common thread they all spoke about was Janice’s method of character development: allowing each actor to make the role their own and not merely something she’d put down on paper.

Returning to the age-old panto tradition of females taking on male lead roles, Pinocchio, the little wooden puppet who yearns to be a ‘real boy’, is played by Kanyi Nokwe who gives a stellar performance. Her endearing wonderment at the world around her/him is delightful, as is her excellent portrayal of a puppet, unable to move as fluidly as her human counterparts.

Pinocchio'17 (225)The much-loved Tobie Cronje returns to the panto stage as the bumbling Geppetto, who’s always longed for a son. He’s pursued by the hilarious Dame Arletti Spaghetti, played with uproarious aplomb by Grant Towers, in bright, brash, full-on technicolour! She happens to conveniently have a son available, the lazy Lampwick played with appropriate ‘too cool for school’ laid back, nonchalance by Ben Kgosimore. For some reason though, he’s not quite what Gepetto’s looking for in an offspring!

Mark Tatham (Cricket) & Ilse Klink (Bella, Blues Fairy)Mark Tatham bounces around the stage with boundless (actually, seemingly endless) vim and verve as a rather whimsical Jiminy Cricket, instructed by Bella Bouboulina, The Blues Fairy (you read that right – she’s a ‘Blues’ fairy with Southern flair) to be Pinocchio’s conscience. Ilse Klink, seasoned professional of SA stage and screen gives the role her own sprinkling of sparkling pizazz: she’s classy, funny, playful and just the right amount of bossy when she needs to be!

Andre Schwartz (Fox) & Chi Mhende (Cat)And panto always needs its villains doesn’t it? This year, we have André Schwartz as Il Fortunato the Fox who, although not quite as evil as his previous panto counterparts, is quite happy to ham it up as a foxy Phantom of the Opera – it’s inspired and the audience adored it! He’s accompanied by the brilliant Chi Mhende as Pussy Galore. Her claws are permanently out, and she’s wicked enough for the both of them!

The lighting and special effects are spectacular, all complemented by a tight, dynamic ensemble, complete with fresh-faced youngsters from Born to Perform (Stageworx School of Performing Arts).

Pinocchio'17 (21)Being panto, one does tend to slightly lose sight of the theme of the original story being told as it usually gets diluted in the inevitable tweaking of the plot. The actual background of Pinocchio is particularly pertinent to this time of year. It’s all about family values, listening to your conscience and doing the right thing despite all the pressure that’s thrown at you from all sides – and in this day and age it does seem that this happens literally from the day you’re born, as happens to Pinocchio, who candidly proclaims “I’m only one day old!” He still needs to muddle through the ups and downs of the challenges he’s faced with, as one does in life, learning who he can and can’t trust along the way, and having a whole bunch of entertaining and hair-raising adventures while doing so. And we, the audience, are lucky enough to join him on the journey.

Pinocchio, The Ultimate Pantomime Adventure is currently on the Mandela Stage of the Joburg Theatre until December 30th 2017.

To purchase tickets, visit www.joburgtheatre.com or call 0861 670 670.  Tickets can also be purchased in person at the Joburg Theatre box office or by booking and paying via the Nedbank app and at selected Pick n Pay stores.

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TRACY ZIMAN JACOBS WANTS YOUR RELATIONSHIPS TO BE TOTALLY YOU!

Totally MeSome people let a bump in the road break them down. Others take it in their stride. But the most successful people are those that deal with it and come out on top, having used that bump to give them a clear view of where they want to be when they continue on their journey.

Tracy Ziman Jacobs is that person, who discovered after her divorce in 2011 that no relationship is perfect. However, instead of allowing the divorce to derail her life, she used it for good, knowing that what she learned from her experience could help others. Meeting the positive, animated and bubbly person she is today, it’s hard to believe she was ever in any type of dark place, but directly after her unexpected divorce, a negative space was exactly where the person she is today had to emerge from.

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No one gets married assuming it will end in divorce. Tracy certainly didn’t. “When I got married, I thought I’d never get divorced,” she says. “It came as a bit of a shock and after my divorce, I was cynical about marriage,” she admits. But she recognised the hope we as human beings attach to marriage. “It’s the romance that brings us together and after all, people are still getting married,” she muses. So, what’s the recipe for a loving relationship in which both partners are happy?

After soul searching and a lot of research, Tracy’s ethos is ardour (defined by the Oxford Dictionary as ‘great warmth of feeling; fervor; passion’ and ‘intense devotion, eagerness, or enthusiasm; zeal’: romance is key to the marriage-altering work she does with her clients. “I want to save marriages,” she explains, stating that it’s vital to look at what is lacking and return to the basic needs of the relationship. “Look at all those characteristics that drew you to your mate and created that chemistry,” says Tracy, who suggests it is possible to have an affair with your existing partner rather than look outside the marriage for the intimacy and fulfilment you crave. “What’s in an affair? Rather bring it back inside your marriage,” she states. She’s so right! Years into our marriages, when kids, work, and everyday stress takes over our lives, we’ve completely forgotten what first attracted us to our partners! And it seems a bit ridiculous to even think about it – but yet, so obvious.

Tracy’s undertaking to heal herself led her to want to heal others. Enter intimacy coaching: Tracy’s greatest passion. She qualified as an Intimacy Coach through Intimacy Coaching SA (ICSA) in 2016, but her drive to help others didn’t just start then – it goes way back, and is clearly inherent in her nature.

Her wealth of knowledge hasn’t come from life experience alone and is backed up by a BA in Social Sciences (1996, UNISA), as well as practical training with the Family Life Centre (FAMSA). This training led her to counsel both individuals and couples, as well as performGroup Therapy, Family Therapy, Trauma Counselling, Divorce Mediation, Pre-marriage Counselling and Employee Assistance Programmes. Once her training was complete, Tracy was hired by FAMSA as an Occupational Social Worker, enabling her to assist others further in their relationship and life journeys.

Professionalism is top of mind for Tracy. She treats every client with the utmost respect, and knows how important it is for them to feel at ease and nurtured during their sessions. The beautiful space she’s created to work in is inviting and nurturing. Her workshops promote a sense of enthusiasm and inspiration for both men and women, and they assist clients in realising that there are many others experiencing similar challenges, which ensures a community-type environment and a feeling of support.

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Tracy’s determination to heal her clients’ relationships can only lead to good. Her end goal: to rekindle the passion in her clients’ love lives, helping them to “find each other”again. She acknowledges that hard work is key to ensuring this goal is met – by both her and her clients. And it’s something she doesn’t shy away from, knowing that with tenacity, her clients’ current intimacy levels can be increased exponentially.

Tracy works with marriages at any stage, with couples (both straight and gay), as well as single people in need of intimacy counselling. While Tracy’s work doesn’t simply focus on the notorious “seven-year itch”, it is a concept she’s very aware of in her practice and among the marriages she works on healing. “There are definitely seven year cycles (seven years, 14 years and so on) where things become a little staid,” she explains. Lesli Doares, a licenced marriage counsellor and family therapist, supports Tracy’s theory, saying that by seven years, a couple has usually had a child or two and children tend to change everything. “It is really the impact of children on the marriage that causes the underlying disconnect that leads to the ‘itch’ to get out,” says Lesli. “It is a combination of responsibility, lack of time for oneself, diminished intimacy and a sense of ‘is that all there is?’” (source: Women’s Health, October 2, 2015).

Speaking of which, as a mother herself, Tracy understands the delicate balance between parenting and marriage, and the challenges children can create once they are born. “Kids dictate what’s going to happen, they change everything and nobody prepares us for that,” says Tracy. “You’re this happy couple, everything is going well until the baby comes and then you see another side of each other that you haven’t seen before.” Then there are intimacy issues. “Many women get their physical needs met through bonding with their baby whereas men still want intimacy through sex,” she explains.

Feeling this type of disconnect? Whether you’re a parent or not, Tracy’s counselling work is about rekindling romance for a renewed intimate relationship. “You’ve just got to do it to understand it,” says Tracy of her sessions. “In other words, do the work and then you’ll understand it.” It’s nothing harmful – it’s about something that is positive, good and that will add value to your life, she explains. The benefits are numerous: “When you’re in synergy with the one you love, you are in a good space and you will find that you’ll sleep better, work better, have more patience with your children and be far more productive. Good sexual health is also great for creativity and for our bodies; it boosts circulation as well as oxytocin and serotonin. The bottom line is that connecting with your partner and being in a good space is wonderful for everyone all round.”

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“Everyone” is a standout word in Tracy’s work: her sessions are for men and women in all stages of their lives. “Women feel validated and heard, and so do men,” she explains. “It’s incredible for me to see the ‘light’ come on when couples are shown a whole new way of connecting.”

I can vouch for the fact that Tracy is comfortable chatting about anything and will immediately put you at ease. Nothing is taboo with her, and she’s all about ensuring that her clients walk away in a positive, confident, comfortable space with themselves and their relationship.

Find out more about Tracy, her work and how to contact her, via her website: http://www.totallymetracy.co.za

PINOCCHIO – A Magical Pantomime Adventure For The Whole Family

PinnochioIt’s preview week for Panto 2017! Janice Honeyman’s 30th Pantomime, Pinocchio officially opens over the weekend but this coming week sees the first audiences filling the Joburg Theatre to see what this year’s festive season pantomime has in store. Mostly these previews will be made up of schoolchildren, some of whom have never even set foot inside a theatre before, so this experience will be brand new for them.

Audiences will be thrilled to see favourites like Tobie Cronje (a firm panto favourite), André Schwartz and Garth Collins (Granite of TV’s Gladiators fame) in the cast. But this is will also be a brand new experience for the 3 Panto stars that I chatted to recently, who I christened my ‘Panto Virgins’. Although they’re each highly skilled industry professionals with years of experience under their belts, they’ve never participated in a Janice Honeyman pantomime before so for all of them, this has all been very new and different.

 

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Ilse Klink is no stranger to South African followers of stage and TV, one of her most notable roles being in Isidingo, for which she received an Avanti award in 2000. She’s appeared in a number of TV series, and stage shows, far too numerous to mention, and she’s a much sought after performer due to her versatility and genuine warmth. In fact, Ilse had been about to accept a role in a different project, when the offer to play Bella Bouboulina, The Blue Fairy in Pinocchio, was extended to her! She explains, “I didn’t hesitate in choosing the panto role because of the sheer history of the Janice Honeyman Pantomime!” She had worked briefly with Janice back in 2006, and ever since then she’s wanted what she describes as ‘the full experience’.

 

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Photo Credit: Corne Du Plessis

For Grant Towers, this year’s Dame, this is a dream role. In his opinion, despite what many may think about open minds and progressive advances having been made, both within the theatre industry and universally, the LGBT (Lesbian, Gay, Bisexual, Transgender) community is still frowned upon. He laughs, “But every year, people still pay to come and see a man dressed up as the dame, and they all love her and want photo’s with her!” Yes, it’s theatrical irony at its sardonic best. Grant describes the dame this year as an ‘insane, menopausal, Italian woman’ and says that he intends to do that description justice!

 

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Photo Credit: Corne Du Plessis

And what would Pinocchio be without his alter ego, Jiminy Cricket? Mark Tatham takes on the high energy role of Pinocchio’s conscience, and tells me that he loves the combination of physicality and wisdom that his character manages to encompass. We’re lucky to have Mark with the panto cast as directly from here, he moves on to play Ed the Hyena in the touring company of The Lion King! It’s a 3-year stint where he’ll also understudy Timon and Zazu! An incredible opportunity for this amazingly talented and amiable actor.

 

So, as we’re chatting, the actors taking advantage of the brief break in their busy rehearsal schedule, one thing becomes distinctly apparent – the magic of the pantomime is safe and sound in the most capable and loving hands of one very unique, special person:

  • Janice Honeyman is an extremely highly revered director, not only because of her obvious years of experience which give her gravitas in her field, but as Grant clarifies, “Janice is to be admired for her directness because she gives you a sense of accomplishment in yourself … and she’s not mean!”
  • Mark goes on to say, “I love that Janice is so open to any suggestions that the cast offer.”
  • Ilse concludes by adding, “You get permission to be a performer with panto, especially with Janice at the helm. Every year you drive past that billboard and you hope, ‘one day, one day’… and then, that call comes and it’s THAT day!”

The excitement that these three performers feel at their upcoming appearance is obvious! They talk about concepts such as vision, belief and putting your dreams out to the universe in order to manifest them into reality, and that’s surely something they’ve all put into practice. Don’t think they’re sitting back after completing their Panto sting. As we’ve already said, Mark’s off to join The Lion King. Grant will be appearing as Brian in Avenue Q from April, and Ilse has not 1, but 2 movies that she’ll be filming, the first on the Orange River from March, and then straight after that another one in Cape Town.

But for now, they can’t wait for that vibrancy that only interaction with a live audience can bring, especially when that audience is made up of such a high percentage of children, who truly allow the enchantment and delight of the onstage wonder to captivate them.

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Photo Credit: Corne Du Plessis

Do yourself a favour: regardless of your age, take a walk away from the ordinary, suspend belief just for a little while and immerse yourself in the fairy-tale world of the Pantomime this festive season!

It’s just a step away … the Blue Fairy, the Dame and Jiminy Cricket await.

 

Pinocchio opens on The Mandela stage of Joburg Theatre on November 12th and runs until December 30th.

Pinocchio is written and directed by Janice Honeyman, with musical direction by Coenraad Rall and choreography by Nicol Sheraton. Timothy Le Roux is resident director and Dale Scheepers is band leader.  The pantomime is produced by Joburg Theatre and Bernard Jay, in association with MNet, Jacaranda FM and Your Family Magazine.

Tickets for Pinocchio are on sale from R185: telephone 0861 670 670, go online at www.joburgtheatre.com, or book in person at the Joburg Theatre box office.  Patrons can also book and pay via the Nedbank app or walk-in at selected Pick ‘n Pay stores (a full list is available at www.webtickets.co.za/pnpoutlets.aspx) – or book on-line and then pay at any Pick ‘n Pay store.

 

SHARON SPIEGEL WAGNER SIZZLES IN SABC3’s BEDFORD WIVES

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Every Thursday evening at 19h30, since the end of August, the charismatic Sharon Spiegel Wagner has had South Africans glued to their TV’s watching SABC3’s BEDFORD WIVES, as the local comedy-drama unfolds with her character, the feisty Despina Giannopolous, taking centre stage.

Set in the lavish but seedy Johannesburg east suburb of Bedfordview, Bedford Wives follows the lives of four women and a somewhat sordid community of Bedfordview criminals who, on the surface, live pristine and perfect lives but, behind closed doors, have skeletons in their closets and secrets aplenty.

When her charming restaurateur husband, Marco Giannopoulos, is found dead under a side of lamb and dripping in gourmet olive oil, Bedfordview housewife and Mrs South Africa entrant, Despina, vows to keep the family businesses going – but then learns the real family business is crime…

Nothing is at it seems…

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I’m not ashamed to say I’m completely hooked, and won’t miss an episode! It’s completely addictive, and ticks all the boxes for unmissable TV!

I recently sat down for coffee and a chat with Sharon to find out what life’s been like for her since Bedford Wives hit our TV screens – and if you haven’t caught on yet (we’re already 9 episodes in with just 5 left), you can catch up on YouTube where you’ll find all past episodes.

And indeed, nothing is as it seems, because Sharon is quite delightful; modest and unassuming and not at all like her onscreen persona, Despina, who is very much the typical ‘Bedford Wife’ and wouldn’t be caught outside of the house (or probably inside, for that matter) without her full armour of make up, designer clothing and killer heels!

Although Sharon’s first love is definitely musical theatre, her experience on Bedford Wives has been so positive that it’s quite encouraged her to explore the possibility of further TV roles in the future. She wasn’t initially asked to audition for the role of Despina, and in fact, was the very last person to audition for the part. Just an hour later, she got a call from her agent to say she’d got the job. Sharon describes her complete shock at hearing the news, but once she realised that it was actually true, she was (I quote) “sublimely excited”. And it’s proved to be a dream from beginning to end with the entire cast and crew being not only amazing to work with, but also completely understanding and flexible around Sharon’s other role: that of being mom to her 2 young daughters, one of who was just a few months old at the time of filming the series.

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It was this that made Sharon realise that she might quite like to pursue more TV work in the future as it’s more adaptable to family life. She loves the art of acting and has grown enough within it to know what’s right for her and what isn’t. When she knows a role’s not for her, she’s excited to see who will play it. This is the mark of a true professional, or as Sharon so aptly describes it: “There’s an actor that loves the art, and there’s the actor that loves himself in the art.” That individual who purely loves himself in the role, and who cannot bring himself to rejoice in the success of a colleague is not quite there yet, regardless of whatever talents may have been bestowed on them.

When asked if she’d be happy for her kids to work in a similar or related industry to the one she’s currently in, knowing what she knows about all of the demands and drawbacks as well as the constant struggles and one-upmanship that the business is notorious for, Sharon’s immediate reaction is “Preferably not!”

by Xavier Saer Photography

But then … on reflection … she reconsiders. She feels that no matter what career they decide to follow (even if they want to become actors), there has to be understanding, appreciation and love for what one does, and they need to feel a true purpose for what they’re doing. When it comes to sensitivity they need to know how the business works. She reiterates, “… especially this business.”

For now, Sharon is taking a break, spending time with her kids and thoroughly enjoying watching them grow. She’d love to do more TV work, and is thrilled that Bedford Wives has opened up new horizons for her. We shared our strong views on how absolutely crucial it is for women to support each other and encourage each other. So often though, you find the opposite happening – we tear each other apart, instead of building each other up! Here once again, Sharon returns to the Bedford Wives set, speaking admiringly of her female director who allowed her the freedom to add her own interpretation into her role of Despina, or as she describes it, “a bit of quirk,” and who put her at complete ease with some scenes that she might otherwise have felt quite uncomfortable performing.

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So, what’s next after this break? “Something BIG … I hope,” laughs Sharon, explaining that this is usually the work pattern that she follows. Whether it’s back on stage, where she feels most at home, or on our TV screens playing another feisty, go-getting, glitzy leading lady, Sharon puts heart and soul into everything she does, so whatever it is, we know it’s going to be fabulously fantastic!!

(But … no pressure, or anything!)

NIROX | WORDS 21-22 OCTOBER 2017

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Situated on 15 hectares of landscaped gardens and waterways within an extensive private nature reserve in the heart of the Cradle of Humankind World Heritage Site, NIROX Sculpture Park is renowned for its magnificent views, picturesque scenery, and overall tranquil locale. In recent years, it’s also earned a superior reputation for holding exhibitions and festivals of eminent worth, relating to all areas of contemporary art.

This weekend, NIROX presents its newest festival: NIROX |WORDS, the title being “Why The World…”, which invites artists and audience to finish the question as they may … why the world is the mess that it is … the challenge and the joy … why is it at all?

I posed a few questions to Batya Bricker, the festival’s Books Programme Coordinator, to get some background and understanding as to what exactly this festival is all about:

Q: So, obviously, my first question (actually more like 3 questions) is why WORDS now? After so many years of NIROX art, photography, music and sculpture? Where did the idea come from? What was the initial vision and has this materialised (so far) as was hoped? Where did the theme ‘Why the World …’ come from?

A: (I combined these questions because its part of one answer.)

Our world is in chaos. Can we do things differently to change this trajectory? Are there alternative ways to dissecting problems, and finding new solutions? Can words help us think differently? Create a new reality? Engage differently? The idea behind NIROX|WORDS is an exploration of how words can change the world – or not. All the art, music, poetry and book discussions explore this idea in different ways.

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Q: How long has it taken from formulating the idea, to bring this to life?

A: About a year

Q: Did you have to approach all of the participants or did the word get out and did some of them start contacting you, saying that they want to be part of this?

A: A little of both. The idea that we need to approach our world in a different way is gaining traction across all walks of life and all over the globe. Whilst we approached some authors and artists, there were many who jumped at the opportunity to contribute to this conversation through their craft. This idea resonates with the zeitgeist.

Q: Where to from here?

A: We hope to make WORDS an annual weekend event attracting both local and international talent across all art forms.

 

And so, there you have it in a nutshell. To really get to grips with NIROX|WORDS though, you’ll have to just attend the festival this weekend and take in all the wonderful delights that the programme has to offer. There are a diverse range of talks, performances and films; an entire childrens’ section and of course various places to feed your body as well as your mind!

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Just one of the children’s sessions on the NIROX | WORDS programme

 The programme starts at 10h00 on both Saturday and Sunday.

There are several ticketing options, so for a full list of these, to make your booking and get details of the festival programme, and everything else about NIROX (including how to get there), go to http://niroxwords.com/

Come and Nosh at Nussbaums!

10413350_271248809666001_4060469510783246122_nSo as a Joburg foodie blogger who gets absolutely no opportunity to attend or blog about Kosher food – a little-known niche in Joburg’s wider foodie/blogging community, but something that I live and breathe every single day – I was pretty excited to see that local butchery, Nussbaums had invited two friends of mine, well-known foodies, Jozi Food Whore and The Food Musketeer to sample their excellent deli fare!!

I immediately contacted Nussbaums myself and asked if they actually knew that there were real, live kosher foodie bloggers (okay, at least one … me) living in their midst, and did they want to invite me over too!?!  Which led to me and the Other Half (OH) having Sunday lunch at Nussbaums today!!

For those who don’t know, Nussbaums Butchery was actually established way back in 1936. I remember when many kosher establishments had their shops set up in Doornfontein, and this was one of them. We didn’t visit the area often though, as my mom opted for phoning in her orders which would then get delivered! Moving ahead a few decades, and Nussbaums is now a bright, modern space in the heart of Glenhazel. Think small-scale Golders Green with the big mommy-cars, the problematic parking, the Friday shopping frenzy, and you’re pretty much describing what to me is … home!

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Where the magic happens!

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The guys are gathered around the grill!

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Nussbaums deck – the place to be for Sunday lunch in the sun!

OH and I arrive in the midst of Sunday lunchtime on a beautiful, hot sunny day; one of the first we’ve had at the start of our Joburg summer. It seems like everyone is making the most of being outside. We’re greeted by the very friendly Dale, who is behind the incredible publicity that Nussbaums is now recieving on social media. Being that I’m no stranger to the shop, I’m quite thrilled to get the opportunity to take pictures (without looking like too much of a weirdo), and get behind the counter too!!

The range of products is impressive, and the stock levels are currently high, due to the expectation of increased buying in the coming week or so. It’s Rosh Hashanah – The Jewish New Year – in less than 2 weeks, and everyone is anticipating the usual eating frenzy that accompanies holiday-time in most cultures. It’s a time of family, friends, get-togethers, and large meals … and a time when we give thanks for what we have, and offer up our prayers of hope for the coming year.

As Nussbaums say “We know meat”, and they certainly take that seriously! Their menu offering is based on the popular New York Deli style. We were presented with 3 of their most popular items: a Hawaiian burger, an Argentinian steak roll, and the piece de resistance, their Hot Beef on Rye!! Oh … My … Goodness!!! This is good, old-fashioned, deli food at its absolute best with no stinting on anything at all. Do your jaw exercises beforehand so you can get your mouth around the huge, generous portions! The smash burgers (because of the method used in ‘smashing’ a ball of mince down to give it its burger form) are really popular and the grill is constantly on the go, doing a steady business in takeaways.

 

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The juiciest Hawaiian Burger (that’s pineapple, not cheese!!!)

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The jam-packed New York Beef on Rye

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The Delectable Argentinian Steak Roll – you HAVE to try it!

The large staff contingent moves around both the store and outside service area like a well-oiled machine. They’re all extremely efficient, and ever so friendly, and above all, they know their stuff!

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Basically Nussbaums is doing a sterling job in keeping up with current trends both in food and on social media. Why shouldn’t our local kosher establishments be marketing themselves in the same way that other stores and restaurants do, especially when they know that what they’re offering is of equal, often better quality? It’s all about being competitive, and knowing how to participate in the playing field, and Nussbaums knows exactly what they need to do to keep themselves relevant and current. Well done and good for them!

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OH trying to get his mouth around the generous Burger!!

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The Hot Chips are perfection!

Go and visit! They’re at 53 Ridge Road, Glenhazel, and get yourself a smash burger or a beef on rye while you’re there! They’re open from 7:00 am – 20:00 pm Monday to Thursday; 6:00 am – 15:30pm on Fridays and 8.30 – 14:00 on Sundays. They’re closed on Saturdays for Shabbat (the Sabbath). Check which days they’ll be closed during the upcoming Jewish Holiday Season.

You can call them on 011 485-2303, or you can visit their comprehensive website at www.koshermeat.co.za where you can also order online and have your order delivered to you!

You don’t have to keep kosher to eat kosher … you don’t even have to be Jewish!

 

CINEMA NOUVEAU HOSTS THE 5TH TURKISH FILM FESTIVAL

All screenings will be free to the public, courtesy of Ster-Kinekor.

Turkish Film Festival 2017

Continuing in its efforts to bring the best of foreign language films to local audiences, Cinema Nouveau will host the 5th Turkish Film Festival from 29 September-22 October 2017 at the Cinema Nouveau theatres in Cape Town (V&A Waterfront, from 29 September – 1 October), in Pretoria (Brooklyn Mall, from 6-8 October), in Johannesburg (Rosebank Mall, from 13-15 October) and in Durban (Gateway Mall, from 20-22 October).

The Turkish Film Festival is made possible with the valuable support of the Ministries of Foreign Affairs and Culture and Tourism of Turkey, in collaboration with Ster-Kinekor Cinema Nouveau. Globally well-known companies Turkish Airlines, Defy, CISCO and Radisson Blu (Sandton) are also sponsoring the festival.

The selection of films at the Festival are in line with Cinema Nouveau’s unique service offering. The festival is a great opportunity for South Africans to experience the Turkish tradition and culture more closely through the best examples of contemporary Turkish cinema. Cinema Nouveau is the best cinema in which to have a full-on customer experience and appreciation of the film and arts.

Film and arts lovers can look forward to a selection of five fantastic films:

My Mother's WoundThe showcase movie of the festival is My Mother’s Wound. This ambitious drama is directed by Ozan Aciktan and draws attention to the remnants of the Bosnian war. A gripping tale of family, love and identity, My Mother’s Wound follows Salih as he searches for a trail of hope amongst war-torn lives. Upon turning eighteen, Salih leaves the orphanage to find his lost family and begins working in a Serbian farm. Suddenly, at the most unexpected moment he has found a home. Will he ever be able to let go of the ghosts of his past and be happy in this new life? As tension escalates disquieting secrets surface.

 

Unique Life, a comedy film from Çağan Irmak, one of Turkey’s most beloved and popular filmmakers, tells the story of Nadide, who is searching for happiness after the death of her husband. Now over 50, Nadide once chose marriage over college and a career and struggled to keep her family together. After losing her husband, Nadide reads an article in the paper and decides to enrol in college. There she finds herself in a journey setting sail to a new start at life with a group of young students and a mysterious captain.

Inspired by the novel of acclaimed writer Cengiz Aytmatov, The Girl with the Red Scarf is a classic and endlessly watchable love story that never dates. It is said, in fact, that the French poet Aragon described The Girl with the Red Scarf as “the world’s greatest love story”. What is love? What makes a lover? What makes a spouse? What makes a father? And which is harder: to go back or not to go back?

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Eyvah Eyvah 2 is a comedy, and the second instalment of the Eyvah Eyvah Trilogy. Hüseyin is a young clarinetist living with his grandparents in a village in Turkey’s Thracian region. Two things are of great importance in Hüseyin’s life: his clarinet and his fiancée. In the first film Hüseyin was forced to go to Istanbul and leave behind his beloved village in order to search for his real father, teaming up with an eccentric nightclub singer, called Firuzan. After finding his father, Hüseyin tries to reach his fiancé, who moves to a small village in the Turkish countryside.

Husband Factor, is the story of Efsun (30) seeking true love and a romantic relationship rather than a husband (sounds like a wise woman to me!). She is the black sheep of her peers and the women of her family who are programmed for marriage. She is seeking love but doesn’t know what most girls know; how to strike an attitude, or how to manipulate a man (in other words, she’s too genuine and people have no clue how to handle that!). Hence, she has not had a single steady relationship to date. The good news is that she has her family to fall back on. Her family members are all dedicated to initiating Efsun into the intricacies of womanhood and ensuring that she gets hitched into the “happily ever after”. Efsun surrenders herself into the capable hands of these women.

Although all screenings will be free to public, tickets still need to be booked and can be collected at the participating cinema box-offices one hour prior to each show. For more information, and booking details, visit the Cinema Nouveau website at www.cinemanouveau.co.za.

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