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MARRIED … BUT NOT TO EACH OTHER – 3 New Cities Added to Current Tour!!

Ndumiso Lindi and Tumi Morake have added three new cities to their ‘Married…But Not To Each Other’ Tour

 “They’re in it together.  Not Together-Together, But Together…” 

MBNTEO Dates

Whilst travelling on one of their hilarious adventures, comedy’s modern traditionalist, Ndumiso Lindi together with comedy’s bad momma, Tumi Morake were asked by a customs official: “Are you married?”  Ndumiso quickly replied: “Yes”, realised what he was saying and added: “But not to each other.”  And thus began the comical journey for this wife and husband … of other people.

Now they’re taking their rib-cracking, side-splitting new stand-up show, ‘Married…But Not To Each Other’ across South Africa and into Africa.  Following a successful debut show in Menlyn (Pretoria) and two sold-out shows in Cape Town, new dates have been added in Botswana, Krugersdorp and Nelspruit, in addition to their official launch show on April 14 at the Lyric Theatre, Gold Reef City in Johannesburg.

It’s a hilarious take on the roles and regulations of marriage and the pothole-laced roads the sexes have to navigate.  It’s not just about marriage.  It’s also about the world that these marriages have to survive in.

Ndumiso Lindi, the gentleman of South African comedy (otherwise known as Roosta), effortlessly blends new-age style with old-school traditions.  His deep voice, soul-warming smile, booming laughter, original content and seamless delivery make for a comedy act that is outstanding and soulfully South African.

With a comedy career spanning over 11 years and numerous outstanding credentials under her belt, Tumi Morake continues to be a formidable force in the comedy industry.  Her edgy and unpredictable brand of comedy has wowed audiences around the globe.  When she’s not on stage, Tumi Morake can also be seen on TV screens hosting WTFTUMI and Point of Order as well as channelling her seemingly endless talents into writing, acting and producing.

Tour Details:

3 March – Protea Hotel Fire & Ice (Menlyn)

9 March – Protea Hotel Fire & Ice (Cape Town) [SOLD OUT]

10 March – Protea Hotel Fire & Ice (Cape Town) [SOLD OUT]

14 April – Lyric Theatre, Gold Reef City (Johannesburg)

5 May – The Grand Palm Hotel (Gaborone, Botswana)

26 May – Silverstar Casino (Krugersdorp)

27 July – Emnotweni Casino (Nelspruit)

Tickets are available through Computicket (except for Botswana where tickets are available directly through the venue).  Visit www.computicket.com or at a Computicket outlet near you.  ‘Married…But Not To Each Other’ carries a PG16 age restriction.

Proudly brought to you by Blu Blood (www.blublood.com @BluBloodSA).

Connect on social media:

Facebook: TumiMorakeSA, NdumisoLindi or Twitter: @tumi_morake, @NdumisoLindi

#marriedbutnottoeachother

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TIME for TAILOR – the #1000MilesTour

Tailor High Res_01Popular SAMA nominated performer, Tailor has announced the South African schedule for her upcoming #1000MilesTour.

Tailor gained popularity after collaborating with LIVE’s lead singer Ed Kowalczyk, and has also shared the stage with top SA acts such as Locnville, Goldfish, Matthew Mole and Nakhane Toure.

In 2017, Tailor was honoured to be invited to perform as part of Johnny Clegg’s Final Journey Tour in front of thousands of local SA fans, as well as at London’s iconic Hammersmith Apollo.

British fans have since celebrated Tailor’s outlandish stage performance in the infamous Bedford in Balham that made Ed Sheeran famous (Ed Sheeran!!!!!!!!), the celebrated Halfmoon in Putney where The Who, U2, and Rolling Stones played and The Troubadour where Bob Dylan performed in his first show in London.

Tailor has confirmed South African dates for an exclusive two weeks in her #1000MILESTOUR. Fans will be captivated by her enigmatic performance and music from her three acclaimed albums: The Dark Horse, Light and Trust Part 1 as well as new music she has created with world-renowned musicians and producers alike.

A fan once asked Tailor why she was so quiet before her performance, and the young Tailor replied: “To save my voice, so I can scream on stage!”

TAILOR #1000MilesTour Schedule

APRIL

Friday 20th – Barnyard, Rivonia @ 8pm – tickets R150.00 from barnyardtheatre.co.za or 087 236 3088

Saturday 21st – The Music Box, Observatory @ 7pm – R450.00* includes drinks, dinner etc as per below – bookings info@hotspotconcerts.co.za or 082 4789 555

*ALL YOU CAN DRINK, dinner (super tasty vegetarian), show, tea/coffee and cake, your donation is R450.00 per person

Monday 23rd – Barnyard, Silverstar @ 8pm – tickets R150.00 from barnyardtheatre.co.za or 010 593 0744

Tuesday 24th – Café Roux, Cape Town @ 8.30pm – tickets R150.00 from caferouxsessions.co.za

Thursday 26th – Café Roux, Noordhoek @ 8.30pm – tickets R150.00 from caferouxsessions.co.za

Sunday 29th – Cottage club, Fishhoek @ 5pm – tickets R150.00 from cottageclub@mweb.co.za or 021 782 0931

MAY

Wednesday 2nd – Barnyard, Cresta @ 8pm – tickets R150.00 from barnyardtheatre.co.za or 011 478 5300

Thursday 3rd – Die Blou Hond, Pretoria @ 8.30pm – tickets R190.00 or R390.00 from http://www.casatoscana.co.za/events-shows/events
R190 for show, incl. popcorn, pre-drinks, coffee & tea OR dinner option @ R390 pp

Saturday 5th – Radium Beer Hall, JHB @ 9pm – tickets R150.00 from Andy 083 542 1044 or

radiumbarandgrill@telkomsa.net

Details for TAILOR

Website: www.Thisistailor.com

Facebook: www.facebook.com/thisistailor

Twitter: @thisistailor

Instagram: @thisistailor

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CHILDREN’S THEATRE REVIEW – Underneath A Magical Moon

underneath-a-magical-moon_logohrWritten by Mike Kenny

Directed by Francois Theron

Once again, director Francois Theron succeeds in bringing a production to life in such a way that it’s perfectly accessible to and understood by the youngest of theatre-goers. We are so used to productions that are big, bold and shiny – far too brash and sophisticated for the likes of younger minds who are just getting to grips with what theatre is all about and how they can relate to it. The National Children’s Theatre is the ideal space in which they can do that.

I’ll admit from the start, I’m a fan of anything that relates to Peter Pan, and this didn’t disappoint. Sarah Roberts has created costumes and a set that will delight young audiences, and will inspire them to go home and re-enact both in their own homes! She’s made use of everyday household items that children will be able to find around their homes and that of their friends: an umbrella (the big, magical moon), gardening rakes (crocodile teeth), sleeping bags (mermaid tails – assisted by braces) … they might have to look a bit further for a wheelbarrow (a boat)!

Pic 6 Peter Pan (Danny Meaker), Tinkerbell (Phiphi-Gu'mmy Moletsane), Wendy (Nirvana Nokwe-Mseleku) John (Daniel Kieth Geddes).

The animated cast are an absolute delight and interact energetically with their highly enthusiastic young audience. Nirvana Nokwe-Mseleku as Wendy can be forgiven for her somewhat errant accent (slightly British … somewhat not-so-much) because she’s completely endearing and utterly lovely, and she sings beautifully. Daniel Kieth Geddes is Wendy’s younger brother John; he’s also a rather raffish Captain Hook, who’s actual quite wonderfully comical. Danny Meaker is the youngest, sleepiest brother Michael. He’s trying to show his older siblings how brave he is by sleeping out in the back garden with them. Meaker also plays Peter Pan, our well-known protagonist who never wants to grow up, leading Wendy to face her own fears about growing older and leaving childhood behind. Phiphi-Gu’mmy Moletsane is a charming and cheeky Tinkerbell who kids will immediately relate to. She’s mischievous and playful, willing to do anything for her hero Peter Pan.

Pic 9 Danny Meaker, Nirvana Nokwe-Mseleku, Daniel Kieth Geddes & Phiphi-Gu'mmy Moletsane.

Based on Mike Kenny’s adaptation of James Barrie’s original Peter Pan, this is a gentle and imaginative way of telling this popular and much-loved story to a far younger audience. The songs are catchy and enjoyable. I’m thinking they’re added in for maximum effect and to hold attention for as long as possible. It certainly works. Parts of the show are interactive and will enthral the young children who sit in front on cushions, and are virtually a part of the actual production. If your child is more sensitive, it might be better to keep them further back with you if you think they might feel slightly intimidated sitting near the front.

I highly recommend this if you have young children. (I’d say from age 4 to about age 12.) Productions at the National Children’s Theatre are of excellent quality, and are one of the best ways to introduce younger audiences to the magic of theatre and imagination.

The theatre is situated at 3 Junction Avenue, Parktown, Johannesburg

Underneath a Magical Moon is on until 15 April 2018.

BOOKINGS: Call the theatre on 011 484 1584/5 or bookings@nctt.org.za

Pic 7 Group Pictures. Phiphi-Gu'mmy Moletsanw, Danny Meaker, & Danial Kieth Geddes.

The Color Purple – Taking Audiences on a Spectacular Journey

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You don’t simply ‘watch’ The Color Purple, you experience it … it’s akin to a religious experience where you immerse yourself in it, and then you emerge afterwards feeling that any piece of theatre hereon after is always going to be compared to this and will be left wanting.

As I drifted out of the auditorium, I caught these snippets from fellow theatre-goers: ‘Extraordinary’! ‘Marvelous’! ‘Simply superb’! Yes, they all spoke using hyperbole because that’s just about all that can be said for this production – if one is not rendered speechless by its sheer excellence.

I’m sure I’m in the vast minority of those who had not previously read the book (written by Alice Walker in 1982) or even seen the film of the same name. So I had only a vague notion of the background and storyline before going to see the show. I’m not sure this makes a difference. Feel free to correct me if I’m wrong.

Color Purple 1Within seconds of opening the audience is swept away by the innocent exuberance of Celie (Didintle Khunou) and her sister Nettie (Sebe Leotlela) bursting onto the stage, singing as only children without a care can. But within just short moments we realise this isn’t the case. Time moves swiftly onstage and we see that this simplicity is just a front for the harsh life that the sisters experience. It’s the early 1900’s in the American South: times are tough for young African-American women.

In these times troubles are borne with proud humility. Life dishes out harsh blows, as do the men from whom there seems no escape. However Celie finds shelter from the storm in the unlikely form of Shug Avery, the woman her own husband pines for. Sophisticated, stylish, and with a mind of her own, Shug is the first person to show Celie how to nurture her own individuality. For the first time Celie begins to understand that it might be possible that she’s her own person, and that she might have a chance at having a life of her own, away from the cruelty and appalling conditions inflicted upon her by the loathsome Mister. Khunou plays Celie with dignity, charm and strength and a voice that will capture your heart.Color Purple 7

Lerato Mvelase makes an enchanting Shug. She holds everyone in the palm of one hand, while wanting to grab all that life has to offer her with the other. It’s a riveting performance. And in the very eye of the Shug storm is Mister, played with such discerning insight by Aubrey Poo that the audience can’t help but be captivated, first despising him, eventually sympathising with him and by the very end of the show feeling quite fond of him.

Yamikani Mahaka-Phiri as Mister’s son is delightfully endearing, with a voice that proves he’s to be taken a lot more seriously than his character might suggest. But it is Neo Motaung who surprises in her role as Sofia, Harpo’s strong-minded wife. Wow! This is a powerhouse of talent to look out for in future. With a voice that pulsates and resonates into your very core, not to mention a laugh that begs to let you in on the private joke! Motaung is an astonishing treasure that has been unearthed!

Color Purple 6The entire cast creates a striking ensemble that moves effortlessly to the choreography of Oscar Buthelezi, and under the baton of Musical Director Rowan Bakker, together with the 8-piece orchestra, they generate a joyful noise that will undoubtedly bring audiences to their feet time and time again in thunderous applause, not only at the conclusion of each performance, but at other moving moments throughout it too.

Director Janice Honeyman has proven time and again that she is the Queen of all she surveys in her field but this time she’s outdone herself, and together with Executive Producer Bernard Jay has crafted a genuine masterpiece! This is an authentic gem of a production, the likes of which one rarely gets the privilege to see. Grab the opportunity while you have the chance! You’ll be so glad you did!

The Colour Purple is on The Mandela Stage at The Joburg Theatre until Sunday March 4th, 2018.  Tickets are priced from R240: Telephone 0861 670 670, go online at www.joburgtheatre.com or book in person at the Joburg Theatre box office.  Theatre patrons can also book online and pay at selected Pick N Pay stores.

[All photo credits: @enroCpics]

Laugh-A-Minute: Kings & Queens of Comedy brings you its biggest line-up yet!

KNQ Pretoria - Feb

We know SA has world-class comic giants right here in our own country, and Blu Blood, in association with Comedy Central Africa is bringing them to Pretoria next month! This comedy extravaganza sees comic giants from around South Africa entertaining audiences at the Sun Arena Time Square, Menlyn (the first comedic event at the venue) on Saturday, February 10th, 2018.

Jason Goliath High Res
Jason Goliath

The all-star line-up includes Riaad Moosa (MC), Alan Committie, Casper de Vries, Donovan Goliath, Gilli Apter, Hannes Brummer, Jason Goliath, Joey Rasdien, Khanyisa Bunu, Krijay Govender, Leeanda Reddy, Marc Lottering, Melt Sieberhagen, Shimmy Isaacs and Sifiso Nene, with a guest appearance by Morgan Beatbox.

“We pride ourselves on bringing world-class South African comedians to stages around the country.  You’re getting a massive line-up of headliner comedians from start to finish.  We’ve picked the cream of the crop and we’re excited to bring an even bigger and better Kings & Queens of Comedy for the first time to the Sun Arena in 2018,” says Osman Osman, MD of Blu Blood.

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Shimmy Isaacs

 

Don’t miss the Kings & Queens of Comedy, 10 February, 2018 at the Sun Arena Time Square, Menlyn, Pretoria.  Tickets from R150 are available through Computicket online and the various retail outlets.

The show starts at 20h00 and is rated PG16.

Another hilarious production brought to you by Blu Blood in association with Comedy Central Africa.

Follow Blu Blood on Twitter: @BluBloodSA or visit www.blublood.com for more information.

***WIN***WIN***WIN***WIN***WIN***

You can WIN a set of double tickets to see Kings & Queens of Comedy!!!

Just let me know who you’re most looking forward to laughing at in this hilarious lineup on 10 Feb!

Closing date: Tuesday 6 Feb 2018

Winner announced: Wednesday 7 Feb 2018

[About Kings & Queens of Comedy: Going on six years of Kings & Queens of Comedy, the show started in 2012 in Johannesburg and has since grown to be one of the leading comedy brands in South Africa, promoting and showcasing local talent from around the country.]

Pinocchio – It’s a Real Panto!

Kanyi Nokwe (Pinocchio) 2The minute that invitation to the annual year-end pantomime hits your Inbox, your heart gives a little thump of joy … and not just because it signifies that the holidays are around the corner!

This is Janice Honeyman’s 30th pantomime, which is an achievement in itself. The fact that she continues to get it right, drawing in audiences, surprising and delighting the crowds every year, is a testament to her sheer talent and skill. She has a gift of knowing the perfect recipe to thrill her audiences, and Pinocchio, her offering this year is certainly no different. There’s just the right balance of innuendo, political lampooning and catchy tunes (both new and old) to hold the attention of all ages throughout the show. This combines with some truly eye-popping, phenomenal sets and an energetic cast who are all clearly fully immersed in the magical world they’re responsible for creating.

I’m positive that part of Janice’s ongoing ability to succeed at exciting her panto audiences year in and year out, is her own inclusive participation in the process. She’s not merely a writer and director who sits back and watches things happen statically as she’s penned it. When I interviewed some of the cast members during the rehearsal process, the common thread they all spoke about was Janice’s method of character development: allowing each actor to make the role their own and not merely something she’d put down on paper.

Returning to the age-old panto tradition of females taking on male lead roles, Pinocchio, the little wooden puppet who yearns to be a ‘real boy’, is played by Kanyi Nokwe who gives a stellar performance. Her endearing wonderment at the world around her/him is delightful, as is her excellent portrayal of a puppet, unable to move as fluidly as her human counterparts.

Pinocchio'17 (225)The much-loved Tobie Cronje returns to the panto stage as the bumbling Geppetto, who’s always longed for a son. He’s pursued by the hilarious Dame Arletti Spaghetti, played with uproarious aplomb by Grant Towers, in bright, brash, full-on technicolour! She happens to conveniently have a son available, the lazy Lampwick played with appropriate ‘too cool for school’ laid back, nonchalance by Ben Kgosimore. For some reason though, he’s not quite what Gepetto’s looking for in an offspring!

Mark Tatham (Cricket) & Ilse Klink (Bella, Blues Fairy)Mark Tatham bounces around the stage with boundless (actually, seemingly endless) vim and verve as a rather whimsical Jiminy Cricket, instructed by Bella Bouboulina, The Blues Fairy (you read that right – she’s a ‘Blues’ fairy with Southern flair) to be Pinocchio’s conscience. Ilse Klink, seasoned professional of SA stage and screen gives the role her own sprinkling of sparkling pizazz: she’s classy, funny, playful and just the right amount of bossy when she needs to be!

Andre Schwartz (Fox) & Chi Mhende (Cat)And panto always needs its villains doesn’t it? This year, we have André Schwartz as Il Fortunato the Fox who, although not quite as evil as his previous panto counterparts, is quite happy to ham it up as a foxy Phantom of the Opera – it’s inspired and the audience adored it! He’s accompanied by the brilliant Chi Mhende as Pussy Galore. Her claws are permanently out, and she’s wicked enough for the both of them!

The lighting and special effects are spectacular, all complemented by a tight, dynamic ensemble, complete with fresh-faced youngsters from Born to Perform (Stageworx School of Performing Arts).

Pinocchio'17 (21)Being panto, one does tend to slightly lose sight of the theme of the original story being told as it usually gets diluted in the inevitable tweaking of the plot. The actual background of Pinocchio is particularly pertinent to this time of year. It’s all about family values, listening to your conscience and doing the right thing despite all the pressure that’s thrown at you from all sides – and in this day and age it does seem that this happens literally from the day you’re born, as happens to Pinocchio, who candidly proclaims “I’m only one day old!” He still needs to muddle through the ups and downs of the challenges he’s faced with, as one does in life, learning who he can and can’t trust along the way, and having a whole bunch of entertaining and hair-raising adventures while doing so. And we, the audience, are lucky enough to join him on the journey.

Pinocchio, The Ultimate Pantomime Adventure is currently on the Mandela Stage of the Joburg Theatre until December 30th 2017.

To purchase tickets, visit www.joburgtheatre.com or call 0861 670 670.  Tickets can also be purchased in person at the Joburg Theatre box office or by booking and paying via the Nedbank app and at selected Pick n Pay stores.

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TRACY ZIMAN JACOBS WANTS YOUR RELATIONSHIPS TO BE TOTALLY YOU!

Totally MeSome people let a bump in the road break them down. Others take it in their stride. But the most successful people are those that deal with it and come out on top, having used that bump to give them a clear view of where they want to be when they continue on their journey.

Tracy Ziman Jacobs is that person, who discovered after her divorce in 2011 that no relationship is perfect. However, instead of allowing the divorce to derail her life, she used it for good, knowing that what she learned from her experience could help others. Meeting the positive, animated and bubbly person she is today, it’s hard to believe she was ever in any type of dark place, but directly after her unexpected divorce, a negative space was exactly where the person she is today had to emerge from.

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No one gets married assuming it will end in divorce. Tracy certainly didn’t. “When I got married, I thought I’d never get divorced,” she says. “It came as a bit of a shock and after my divorce, I was cynical about marriage,” she admits. But she recognised the hope we as human beings attach to marriage. “It’s the romance that brings us together and after all, people are still getting married,” she muses. So, what’s the recipe for a loving relationship in which both partners are happy?

After soul searching and a lot of research, Tracy’s ethos is ardour (defined by the Oxford Dictionary as ‘great warmth of feeling; fervor; passion’ and ‘intense devotion, eagerness, or enthusiasm; zeal’: romance is key to the marriage-altering work she does with her clients. “I want to save marriages,” she explains, stating that it’s vital to look at what is lacking and return to the basic needs of the relationship. “Look at all those characteristics that drew you to your mate and created that chemistry,” says Tracy, who suggests it is possible to have an affair with your existing partner rather than look outside the marriage for the intimacy and fulfilment you crave. “What’s in an affair? Rather bring it back inside your marriage,” she states. She’s so right! Years into our marriages, when kids, work, and everyday stress takes over our lives, we’ve completely forgotten what first attracted us to our partners! And it seems a bit ridiculous to even think about it – but yet, so obvious.

Tracy’s undertaking to heal herself led her to want to heal others. Enter intimacy coaching: Tracy’s greatest passion. She qualified as an Intimacy Coach through Intimacy Coaching SA (ICSA) in 2016, but her drive to help others didn’t just start then – it goes way back, and is clearly inherent in her nature.

Her wealth of knowledge hasn’t come from life experience alone and is backed up by a BA in Social Sciences (1996, UNISA), as well as practical training with the Family Life Centre (FAMSA). This training led her to counsel both individuals and couples, as well as performGroup Therapy, Family Therapy, Trauma Counselling, Divorce Mediation, Pre-marriage Counselling and Employee Assistance Programmes. Once her training was complete, Tracy was hired by FAMSA as an Occupational Social Worker, enabling her to assist others further in their relationship and life journeys.

Professionalism is top of mind for Tracy. She treats every client with the utmost respect, and knows how important it is for them to feel at ease and nurtured during their sessions. The beautiful space she’s created to work in is inviting and nurturing. Her workshops promote a sense of enthusiasm and inspiration for both men and women, and they assist clients in realising that there are many others experiencing similar challenges, which ensures a community-type environment and a feeling of support.

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Tracy’s determination to heal her clients’ relationships can only lead to good. Her end goal: to rekindle the passion in her clients’ love lives, helping them to “find each other”again. She acknowledges that hard work is key to ensuring this goal is met – by both her and her clients. And it’s something she doesn’t shy away from, knowing that with tenacity, her clients’ current intimacy levels can be increased exponentially.

Tracy works with marriages at any stage, with couples (both straight and gay), as well as single people in need of intimacy counselling. While Tracy’s work doesn’t simply focus on the notorious “seven-year itch”, it is a concept she’s very aware of in her practice and among the marriages she works on healing. “There are definitely seven year cycles (seven years, 14 years and so on) where things become a little staid,” she explains. Lesli Doares, a licenced marriage counsellor and family therapist, supports Tracy’s theory, saying that by seven years, a couple has usually had a child or two and children tend to change everything. “It is really the impact of children on the marriage that causes the underlying disconnect that leads to the ‘itch’ to get out,” says Lesli. “It is a combination of responsibility, lack of time for oneself, diminished intimacy and a sense of ‘is that all there is?’” (source: Women’s Health, October 2, 2015).

Speaking of which, as a mother herself, Tracy understands the delicate balance between parenting and marriage, and the challenges children can create once they are born. “Kids dictate what’s going to happen, they change everything and nobody prepares us for that,” says Tracy. “You’re this happy couple, everything is going well until the baby comes and then you see another side of each other that you haven’t seen before.” Then there are intimacy issues. “Many women get their physical needs met through bonding with their baby whereas men still want intimacy through sex,” she explains.

Feeling this type of disconnect? Whether you’re a parent or not, Tracy’s counselling work is about rekindling romance for a renewed intimate relationship. “You’ve just got to do it to understand it,” says Tracy of her sessions. “In other words, do the work and then you’ll understand it.” It’s nothing harmful – it’s about something that is positive, good and that will add value to your life, she explains. The benefits are numerous: “When you’re in synergy with the one you love, you are in a good space and you will find that you’ll sleep better, work better, have more patience with your children and be far more productive. Good sexual health is also great for creativity and for our bodies; it boosts circulation as well as oxytocin and serotonin. The bottom line is that connecting with your partner and being in a good space is wonderful for everyone all round.”

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“Everyone” is a standout word in Tracy’s work: her sessions are for men and women in all stages of their lives. “Women feel validated and heard, and so do men,” she explains. “It’s incredible for me to see the ‘light’ come on when couples are shown a whole new way of connecting.”

I can vouch for the fact that Tracy is comfortable chatting about anything and will immediately put you at ease. Nothing is taboo with her, and she’s all about ensuring that her clients walk away in a positive, confident, comfortable space with themselves and their relationship.

Find out more about Tracy, her work and how to contact her, via her website: http://www.totallymetracy.co.za

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