Written by Mike Kenny
Directed by Francois Theron
Once again, director Francois Theron succeeds in bringing a production to life in such a way that it’s perfectly accessible to and understood by the youngest of theatre-goers. We are so used to productions that are big, bold and shiny – far too brash and sophisticated for the likes of younger minds who are just getting to grips with what theatre is all about and how they can relate to it. The National Children’s Theatre is the ideal space in which they can do that.
I’ll admit from the start, I’m a fan of anything that relates to Peter Pan, and this didn’t disappoint. Sarah Roberts has created costumes and a set that will delight young audiences, and will inspire them to go home and re-enact both in their own homes! She’s made use of everyday household items that children will be able to find around their homes and that of their friends: an umbrella (the big, magical moon), gardening rakes (crocodile teeth), sleeping bags (mermaid tails – assisted by braces) … they might have to look a bit further for a wheelbarrow (a boat)!
The animated cast are an absolute delight and interact energetically with their highly enthusiastic young audience. Nirvana Nokwe-Mseleku as Wendy can be forgiven for her somewhat errant accent (slightly British … somewhat not-so-much) because she’s completely endearing and utterly lovely, and she sings beautifully. Daniel Kieth Geddes is Wendy’s younger brother John; he’s also a rather raffish Captain Hook, who’s actual quite wonderfully comical. Danny Meaker is the youngest, sleepiest brother Michael. He’s trying to show his older siblings how brave he is by sleeping out in the back garden with them. Meaker also plays Peter Pan, our well-known protagonist who never wants to grow up, leading Wendy to face her own fears about growing older and leaving childhood behind. Phiphi-Gu’mmy Moletsane is a charming and cheeky Tinkerbell who kids will immediately relate to. She’s mischievous and playful, willing to do anything for her hero Peter Pan.
Based on Mike Kenny’s adaptation of James Barrie’s original Peter Pan, this is a gentle and imaginative way of telling this popular and much-loved story to a far younger audience. The songs are catchy and enjoyable. I’m thinking they’re added in for maximum effect and to hold attention for as long as possible. It certainly works. Parts of the show are interactive and will enthral the young children who sit in front on cushions, and are virtually a part of the actual production. If your child is more sensitive, it might be better to keep them further back with you if you think they might feel slightly intimidated sitting near the front.
I highly recommend this if you have young children. (I’d say from age 4 to about age 12.) Productions at the National Children’s Theatre are of excellent quality, and are one of the best ways to introduce younger audiences to the magic of theatre and imagination.
The theatre is situated at 3 Junction Avenue, Parktown, Johannesburg
Underneath a Magical Moon is on until 15 April 2018.
BOOKINGS: Call the theatre on 011 484 1584/5 or email@example.com
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