The minute that invitation to the annual year-end pantomime hits your Inbox, your heart gives a little thump of joy … and not just because it signifies that the holidays are around the corner!
This is Janice Honeyman’s 30th pantomime, which is an achievement in itself. The fact that she continues to get it right, drawing in audiences, surprising and delighting the crowds every year, is a testament to her sheer talent and skill. She has a gift of knowing the perfect recipe to thrill her audiences, and Pinocchio, her offering this year is certainly no different. There’s just the right balance of innuendo, political lampooning and catchy tunes (both new and old) to hold the attention of all ages throughout the show. This combines with some truly eye-popping, phenomenal sets and an energetic cast who are all clearly fully immersed in the magical world they’re responsible for creating.
I’m positive that part of Janice’s ongoing ability to succeed at exciting her panto audiences year in and year out, is her own inclusive participation in the process. She’s not merely a writer and director who sits back and watches things happen statically as she’s penned it. When I interviewed some of the cast members during the rehearsal process, the common thread they all spoke about was Janice’s method of character development: allowing each actor to make the role their own and not merely something she’d put down on paper.
Returning to the age-old panto tradition of females taking on male lead roles, Pinocchio, the little wooden puppet who yearns to be a ‘real boy’, is played by Kanyi Nokwe who gives a stellar performance. Her endearing wonderment at the world around her/him is delightful, as is her excellent portrayal of a puppet, unable to move as fluidly as her human counterparts.
The much-loved Tobie Cronje returns to the panto stage as the bumbling Geppetto, who’s always longed for a son. He’s pursued by the hilarious Dame Arletti Spaghetti, played with uproarious aplomb by Grant Towers, in bright, brash, full-on technicolour! She happens to conveniently have a son available, the lazy Lampwick played with appropriate ‘too cool for school’ laid back, nonchalance by Ben Kgosimore. For some reason though, he’s not quite what Gepetto’s looking for in an offspring!
Mark Tatham bounces around the stage with boundless (actually, seemingly endless) vim and verve as a rather whimsical Jiminy Cricket, instructed by Bella Bouboulina, The Blues Fairy (you read that right – she’s a ‘Blues’ fairy with Southern flair) to be Pinocchio’s conscience. Ilse Klink, seasoned professional of SA stage and screen gives the role her own sprinkling of sparkling pizazz: she’s classy, funny, playful and just the right amount of bossy when she needs to be!
And panto always needs its villains doesn’t it? This year, we have André Schwartz as Il Fortunato the Fox who, although not quite as evil as his previous panto counterparts, is quite happy to ham it up as a foxy Phantom of the Opera – it’s inspired and the audience adored it! He’s accompanied by the brilliant Chi Mhende as Pussy Galore. Her claws are permanently out, and she’s wicked enough for the both of them!
The lighting and special effects are spectacular, all complemented by a tight, dynamic ensemble, complete with fresh-faced youngsters from Born to Perform (Stageworx School of Performing Arts).
Being panto, one does tend to slightly lose sight of the theme of the original story being told as it usually gets diluted in the inevitable tweaking of the plot. The actual background of Pinocchio is particularly pertinent to this time of year. It’s all about family values, listening to your conscience and doing the right thing despite all the pressure that’s thrown at you from all sides – and in this day and age it does seem that this happens literally from the day you’re born, as happens to Pinocchio, who candidly proclaims “I’m only one day old!” He still needs to muddle through the ups and downs of the challenges he’s faced with, as one does in life, learning who he can and can’t trust along the way, and having a whole bunch of entertaining and hair-raising adventures while doing so. And we, the audience, are lucky enough to join him on the journey.
Pinocchio, The Ultimate Pantomime Adventure is currently on the Mandela Stage of the Joburg Theatre until December 30th 2017.
To purchase tickets, visit www.joburgtheatre.com or call 0861 670 670. Tickets can also be purchased in person at the Joburg Theatre box office or by booking and paying via the Nedbank app and at selected Pick n Pay stores.
Some people let a bump in the road break them down. Others take it in their stride. But the most successful people are those that deal with it and come out on top, having used that bump to give them a clear view of where they want to be when they continue on their journey.
Tracy Ziman Jacobs is that person, who discovered after her divorce in 2011 that no relationship is perfect. However, instead of allowing the divorce to derail her life, she used it for good, knowing that what she learned from her experience could help others. Meeting the positive, animated and bubbly person she is today, it’s hard to believe she was ever in any type of dark place, but directly after her unexpected divorce, a negative space was exactly where the person she is today had to emerge from.
No one gets married assuming it will end in divorce. Tracy certainly didn’t. “When I got married, I thought I’d never get divorced,” she says. “It came as a bit of a shock and after my divorce, I was cynical about marriage,” she admits. But she recognised the hope we as human beings attach to marriage. “It’s the romance that brings us together and after all, people are still getting married,” she muses. So, what’s the recipe for a loving relationship in which both partners are happy?
After soul searching and a lot of research, Tracy’s ethos is ardour (defined by the Oxford Dictionary as ‘great warmth of feeling; fervor; passion’ and ‘intense devotion, eagerness, or enthusiasm; zeal’: romance is key to the marriage-altering work she does with her clients. “I want to save marriages,” she explains, stating that it’s vital to look at what is lacking and return to the basic needs of the relationship. “Look at all those characteristics that drew you to your mate and created that chemistry,” says Tracy, who suggests it is possible to have an affair with your existing partner rather than look outside the marriage for the intimacy and fulfilment you crave. “What’s in an affair? Rather bring it back inside your marriage,” she states. She’s so right! Years into our marriages, when kids, work, and everyday stress takes over our lives, we’ve completely forgotten what first attracted us to our partners! And it seems a bit ridiculous to even think about it – but yet, so obvious.
Tracy’s undertaking to heal herself led her to want to heal others. Enter intimacy coaching: Tracy’s greatest passion. She qualified as an Intimacy Coach through Intimacy Coaching SA (ICSA) in 2016, but her drive to help others didn’t just start then – it goes way back, and is clearly inherent in her nature.
Her wealth of knowledge hasn’t come from life experience alone and is backed up by a BA in Social Sciences (1996, UNISA), as well as practical training with the Family Life Centre (FAMSA). This training led her to counsel both individuals and couples, as well as performGroup Therapy, Family Therapy, Trauma Counselling, Divorce Mediation, Pre-marriage Counselling and Employee Assistance Programmes. Once her training was complete, Tracy was hired by FAMSA as an Occupational Social Worker, enabling her to assist others further in their relationship and life journeys.
Professionalism is top of mind for Tracy. She treats every client with the utmost respect, and knows how important it is for them to feel at ease and nurtured during their sessions. The beautiful space she’s created to work in is inviting and nurturing. Her workshops promote a sense of enthusiasm and inspiration for both men and women, and they assist clients in realising that there are many others experiencing similar challenges, which ensures a community-type environment and a feeling of support.
Tracy’s determination to heal her clients’ relationships can only lead to good. Her end goal: to rekindle the passion in her clients’ love lives, helping them to “find each other”again. She acknowledges that hard work is key to ensuring this goal is met – by both her and her clients. And it’s something she doesn’t shy away from, knowing that with tenacity, her clients’ current intimacy levels can be increased exponentially.
Tracy works with marriages at any stage, with couples (both straight and gay), as well as single people in need of intimacy counselling. While Tracy’s work doesn’t simply focus on the notorious “seven-year itch”, it is a concept she’s very aware of in her practice and among the marriages she works on healing. “There are definitely seven year cycles (seven years, 14 years and so on) where things become a little staid,” she explains. Lesli Doares, a licenced marriage counsellor and family therapist, supports Tracy’s theory, saying that by seven years, a couple has usually had a child or two and children tend to change everything. “It is really the impact of children on the marriage that causes the underlying disconnect that leads to the ‘itch’ to get out,” says Lesli. “It is a combination of responsibility, lack of time for oneself, diminished intimacy and a sense of ‘is that all there is?’” (source: Women’s Health, October 2, 2015).
Speaking of which, as a mother herself, Tracy understands the delicate balance between parenting and marriage, and the challenges children can create once they are born. “Kids dictate what’s going to happen, they change everything and nobody prepares us for that,” says Tracy. “You’re this happy couple, everything is going well until the baby comes and then you see another side of each other that you haven’t seen before.” Then there are intimacy issues. “Many women get their physical needs met through bonding with their baby whereas men still want intimacy through sex,” she explains.
Feeling this type of disconnect? Whether you’re a parent or not, Tracy’s counselling work is about rekindling romance for a renewed intimate relationship. “You’ve just got to do it to understand it,” says Tracy of her sessions. “In other words, do the work and then you’ll understand it.” It’s nothing harmful – it’s about something that is positive, good and that will add value to your life, she explains. The benefits are numerous: “When you’re in synergy with the one you love, you are in a good space and you will find that you’ll sleep better, work better, have more patience with your children and be far more productive. Good sexual health is also great for creativity and for our bodies; it boosts circulation as well as oxytocin and serotonin. The bottom line is that connecting with your partner and being in a good space is wonderful for everyone all round.”
“Everyone” is a standout word in Tracy’s work: her sessions are for men and women in all stages of their lives. “Women feel validated and heard, and so do men,” she explains. “It’s incredible for me to see the ‘light’ come on when couples are shown a whole new way of connecting.”
I can vouch for the fact that Tracy is comfortable chatting about anything and will immediately put you at ease. Nothing is taboo with her, and she’s all about ensuring that her clients walk away in a positive, confident, comfortable space with themselves and their relationship.
Find out more about Tracy, her work and how to contact her, via her website: http://www.totallymetracy.co.za
It’s preview week for Panto 2017! Janice Honeyman’s 30th Pantomime, Pinocchio officially opens over the weekend but this coming week sees the first audiences filling the Joburg Theatre to see what this year’s festive season pantomime has in store. Mostly these previews will be made up of schoolchildren, some of whom have never even set foot inside a theatre before, so this experience will be brand new for them.
Audiences will be thrilled to see favourites like Tobie Cronje (a firm panto favourite), André Schwartz and Garth Collins (Granite of TV’s Gladiators fame) in the cast. But this is will also be a brand new experience for the 3 Panto stars that I chatted to recently, who I christened my ‘Panto Virgins’. Although they’re each highly skilled industry professionals with years of experience under their belts, they’ve never participated in a Janice Honeyman pantomime before so for all of them, this has all been very new and different.
Ilse Klink is no stranger to South African followers of stage and TV, one of her most notable roles being in Isidingo, for which she received an Avanti award in 2000. She’s appeared in a number of TV series, and stage shows, far too numerous to mention, and she’s a much sought after performer due to her versatility and genuine warmth. In fact, Ilse had been about to accept a role in a different project, when the offer to play Bella Bouboulina, The Blue Fairy in Pinocchio, was extended to her! She explains, “I didn’t hesitate in choosing the panto role because of the sheer history of the Janice Honeyman Pantomime!” She had worked briefly with Janice back in 2006, and ever since then she’s wanted what she describes as ‘the full experience’.
For Grant Towers, this year’s Dame, this is a dream role. In his opinion, despite what many may think about open minds and progressive advances having been made, both within the theatre industry and universally, the LGBT (Lesbian, Gay, Bisexual, Transgender) community is still frowned upon. He laughs, “But every year, people still pay to come and see a man dressed up as the dame, and they all love her and want photo’s with her!” Yes, it’s theatrical irony at its sardonic best. Grant describes the dame this year as an ‘insane, menopausal, Italian woman’ and says that he intends to do that description justice!
And what would Pinocchio be without his alter ego, Jiminy Cricket? Mark Tatham takes on the high energy role of Pinocchio’s conscience, and tells me that he loves the combination of physicality and wisdom that his character manages to encompass. We’re lucky to have Mark with the panto cast as directly from here, he moves on to play Ed the Hyena in the touring company of The Lion King! It’s a 3-year stint where he’ll also understudy Timon and Zazu! An incredible opportunity for this amazingly talented and amiable actor.
So, as we’re chatting, the actors taking advantage of the brief break in their busy rehearsal schedule, one thing becomes distinctly apparent – the magic of the pantomime is safe and sound in the most capable and loving hands of one very unique, special person:
- Janice Honeyman is an extremely highly revered director, not only because of her obvious years of experience which give her gravitas in her field, but as Grant clarifies, “Janice is to be admired for her directness because she gives you a sense of accomplishment in yourself … and she’s not mean!”
- Mark goes on to say, “I love that Janice is so open to any suggestions that the cast offer.”
- Ilse concludes by adding, “You get permission to be a performer with panto, especially with Janice at the helm. Every year you drive past that billboard and you hope, ‘one day, one day’… and then, that call comes and it’s THAT day!”
The excitement that these three performers feel at their upcoming appearance is obvious! They talk about concepts such as vision, belief and putting your dreams out to the universe in order to manifest them into reality, and that’s surely something they’ve all put into practice. Don’t think they’re sitting back after completing their Panto sting. As we’ve already said, Mark’s off to join The Lion King. Grant will be appearing as Brian in Avenue Q from April, and Ilse has not 1, but 2 movies that she’ll be filming, the first on the Orange River from March, and then straight after that another one in Cape Town.
But for now, they can’t wait for that vibrancy that only interaction with a live audience can bring, especially when that audience is made up of such a high percentage of children, who truly allow the enchantment and delight of the onstage wonder to captivate them.
Do yourself a favour: regardless of your age, take a walk away from the ordinary, suspend belief just for a little while and immerse yourself in the fairy-tale world of the Pantomime this festive season!
It’s just a step away … the Blue Fairy, the Dame and Jiminy Cricket await.
Pinocchio opens on The Mandela stage of Joburg Theatre on November 12th and runs until December 30th.
Pinocchio is written and directed by Janice Honeyman, with musical direction by Coenraad Rall and choreography by Nicol Sheraton. Timothy Le Roux is resident director and Dale Scheepers is band leader. The pantomime is produced by Joburg Theatre and Bernard Jay, in association with MNet, Jacaranda FM and Your Family Magazine.
Tickets for Pinocchio are on sale from R185: telephone 0861 670 670, go online at www.joburgtheatre.com, or book in person at the Joburg Theatre box office. Patrons can also book and pay via the Nedbank app or walk-in at selected Pick ‘n Pay stores (a full list is available at www.webtickets.co.za/pnpoutlets.aspx) – or book on-line and then pay at any Pick ‘n Pay store.